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How to loosen a top?
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RobF
Posts: 1628
Joined: Aug. 24 2017
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RE: How to loosen a top? (in reply to JasonM)
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Hi Jason, I don’t see any benefit to replacing the top unless you have a fairly good idea of where you went wrong. Otherwise it’s a crapshoot, without more experience how will you determine what you should be doing differently on the new one? I think let common sense dictate your strategy. What are the knowns? For a starter, the string height at the saddle is a problem that won’t solve itself. If anything, this can get worse over the next couple of years so why not bite the bullet and address it now? It could be the subject for a new thread. It’s also pretty normal for a new maker to overbuild a bit, so adjustments to the braces could be beneficial, especially since the plan accounts for the possibility in its dimensions. Did you triangulate them, as shown in the plan? But, unless you are certain the top is overbuilt, adjusting it before addressing the string height issue may be putting the cart before the horse. The string height at the bridge is a prime dimension from which the others follow, IMO, so it’s good to try to meet that target. Not easy to always achieve and not the end of the world if you end up a little higher, but too low is not so good. Finally, have you given the guitar a fair chance? I had very high expectations for the first flamenco I made. It was my third or fourth guitar and I made it in Spain under the tutelage of a very competent teacher. When I first strung it up in the shop I gave it a strum and murmured “This guitar sounds like sh*t!”. I was only disappointed in myself, but unfortunately the teacher overheard me and I think it hurt his feelings, too, which I really regretted. So then I was mad at myself not just for making a crappy sounding guitar but also for being ungracious to my teacher. Long story short, I still have that guitar. It came alive over the years and is now an excellent instrument, not just good, but top drawer. There was never anything wrong with how it was built, at all. It was simply green (as was I) and needed some time to develop its voice. So maybe your new guitar also just needs a bit of time to find its way. But the string height issue should be addressed, IMO, if you can at all see your way clear to doing it.
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REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 27 2019 18:34:39
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RobF
Posts: 1628
Joined: Aug. 24 2017
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RE: How to loosen a top? (in reply to ddias)
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quote:
@RobF How long did it take for your green guitar to come alive? It improved into a reasonably good instrument within a few days and then got progressively better over the first few months but didn’t really shine. In hindsight, I’m fairly certain the Turkish Cypress used for the back and sides was quite green. The top was fine. Over the course of a couple of years the action at the 12th raised by over half a millimetre and when I lowered it I also took a bit of wood off the bridge to allow a standard couple of mm bone to show above the wood. The bridge/saddle was already a bit high so I just moved into a more comfortable territory of ~8mm string height. I think this is an important point and the slight reduction of bridge weight likely played a role in the sonic improvement. But the guitar continued to improve after that. It took about four years for it to become close to what it is today, although when I’ve played it recently it seems to have improved still even more, and that’s after not having been played for quite some time. This, along with the dimensional change it experienced to lead to the raised action, is what’s led me to conclude the B&S woods were likely too green. Although I’m certain the bridge adjustment also had a hand in the improvement. I would be very surprised if your guitar was made with green woods, however. I think after a number of years if a guitar doesn’t suit you it might be best to look for a better fit. If it’s a good guitar (and I suspect it is) it will likely be perfect for someone else. Just a word of caution - shaving bridges and braces, or thinning tops or backs, is not the cure-all that some repair “luthiers” will sometimes tout. Any adjustments can just as easily throw things out of whack and lead to a detriment in quality. More likely to, in fact. I don’t know how many fine old Martin instruments or Condes, for that matter, have been ruined by people claiming to know better, when in reality they’re selling snake oil in pursuit of a quick buck. *edit* P.S. before I get myself into trouble here, I should add that making adjustments to their own builds is the maker’s prerogative. My caution is intended more to prevent people from indiscriminately attacking fine instruments with sandpaper in the hopes of “improving” them.
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REPORT THIS POST AS INAPPROPRIATE |
Date Oct. 1 2019 15:42:30
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