Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
Two recent blanca videos
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|

Andy Culpepper
Posts: 3019
Joined: Mar. 30 2009
From: NY, USA

|
RE: Two recent blanca videos (in reply to bbfifas)
|
|
|
quote:
Man I really like both.... haha . I am looking forward to Ramzi posting some new videos with his #99 though. Thanks...me too! quote:
I like them both but I think the second traditional one might have a tendency to develop into something special with a little age. I haven't had the opportunity to play one of your guitars to check out its articulation for the right and left hand but according to your prices for the guitars, you are a solid competitor for Francisco Navarro's Reyes model. I hope you can navigate these prices without too much trouble. Thanks, Tom. I've been slowly increasing my prices as I feel my work has gotten better. Now it's just a matter of getting my name out there, I guess. quote:
I think Ramzi will be very happy with #99. It sounds great and looks great, too! Very nice 👍 Thanks, Rob! quote:
Great Work , Sounds Beautiful Gracias! quote:
I like the sound of #99. Congratulations to Ramzi! I like the Esteso inspired rosette? Please can we see a close up photograph? Thanks, Orson. The rosette is in the vein of Santos Hernandez. quote:
Our doctor had always somethings for a cutaway made by you:) Ole' I've been waiting to make him one for years quote:
Ramzi's quote:
I like Ramzi’s as well. I like it already as it is but my guess it that in ffew years that guitar will grow into something very special. Did you use a thick top? Thanks, Echi. Yes both of these guitars were brand new and will mature quite a bit with time. The funny thing is that I've gone back to the bracing system I used for my first 12 guitars or so (Barbero-ish pattern with parallel harmonic bars). When I first started I didn't know how to build it correctly, but when I came back to it, I found that I could get out of it what I always wanted in the beginning but couldn't quite achieve. Ramzi's guitar is pretty lightly built with a Helmholtz around F# even with the cutaway. The other one probably has a little more meat on the top.
Images are resized automatically to a maximum width of 800px
_____________________________
Andy Culpepper, luthier http://www.andyculpepper.com
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Oct. 4 2018 12:55:43
 |
|

Andy Culpepper
Posts: 3019
Joined: Mar. 30 2009
From: NY, USA

|
RE: Two recent blanca videos (in reply to Echi)
|
|
|
quote:
well shucks... Hello Kitty with rainbows is my next choice. I think my 4 year old has some stickers you could use quote:
I like no99, somehow more depth. I also think that a spruce top will develop more, so the comparison between these guitars in 5 years time will favour no99 even more. Thanks Njal! quote:
Thanks Andy. Well, that’s interesting. In fact Ramzi’s reminds me a lot my Ramirez blanca, which has a very similar bracing pattern (Barbero like with parallel struts). That guitar (which quite incredibly I discovered being this very guitar: http://www.foroflamenco.com/tm.asp?m=215658&mpage=1&p=&tmode=1&smode=1&key=jewel) is really special and seems to have quite something in common with yours - at least judging by the recording. What tonal differences you noticed switching among your bracing systems? That is interesting. My lutherie mentor has a '70s Ramirez blanca that he copied several times very successfully, which had a thin top with 7 high, narrow braces and a bridge patch. Not parallel though. I like that guitar but it has hard pulsation and is generally not very friendly to play, so I opted to draw up a copy of a John Park guitar that he had that I really liked (Canadian luthier). Bracing pattern shown below. The key thing is that the braces are very low and flat (3-3.5 mm high). Thus the top is slightly thicker but it adds a nice meatiness and woodiness to the sound IMO, where the Ramirez is a little more harsh and metallic. The only problem I ran into with the Park design was an unevenness and generally lackluster treble, which was not present in the original. I tried coming up with my own bracing design based on Gerundino and Conde and it works really well, but then I had a customer who fell in love with my guitar #1 and wanted me to go back to the old pattern. The guitar I made for him was unbelievably good, so I decided to switch back to that going forward. In the meantime I had learned a lot about the bridge, top thickness and harmonic bar stiffness and when I applied that to the old system I've been having great results.
Images are resized automatically to a maximum width of 800px
_____________________________
Andy Culpepper, luthier http://www.andyculpepper.com
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Oct. 6 2018 13:33:01
 |
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.078125 secs.
|