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How can we honor Paco?
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gj Michelob
Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco

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RE: How can we honor Paco? (in reply to Anders Eliasson)
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quote:
They are making a museum for him ... I dont think he would have wanted to be honered more than he already will be. I read Grisha's question somehow differently, perhaps because over the years I learned of his close connection to Paco De Lucia and his work. I also believe that anyone who loves or studies flamenco, will inevitably establish a rather personal relationship with him, a bond of passion, through emulation, appreciation and admiration. From his faithful choice of guitar to his innovative way of holding it, each one of has keenly observed every detail of this musician, and now preserves indelible memories. Some had the pleasure to meet him, like Richard Kozma did, when Paco asked him to play his composition, after a concert outside the theater in a cold winter night, Richard's fingers frozen, not by the inclement weather but by the intensity of the moment. And yet he played for Paco De Lucia, and that music, that moment will forever play and replay in his memory. It is Paco De Lucia's "influence" on him, on us all, each in his or her own way, that I think Grisha wants to honor, as he restlessly grieves the death of his idol. It seems obvious that the most appropriate way of honoring that personal bond would be through music. Here is my suggestion, those who are at (or about) Grisha's level of musicianship, could record a video, a tutorial of one of De Lucia' s pieces which each recognizes as influential or emotionally important, so that the posterity of flamenco students may approach learning De Lucia's work though the hands and with the heart of the grieving interpreter and teacher. ForoFlamenco could dedicate a section to this effort, "Twelve Heartbeats in a Measure: Learning Paco De Lucia." My two cent opinion.
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gj Michelob
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REPORT THIS POST AS INAPPROPRIATE |
Date Feb. 27 2014 13:04:33
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BarkellWH
Posts: 3414
Joined: Jul. 12 2009
From: Washington, DC

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RE: How can we honor Paco? (in reply to Grisha)
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I throw my lot in with those who suggest that we honor Paco by sharing his music with others. I got a sense of how important that is last night. A woman with whom I play squash and whom I introduced to flamenco and to Paco de Lucia, called me to express her condolences, as she had read that he had passed away. It was a bright spot in a rather somber time, as I thought that she had embraced his playing sufficiently to think it necessary to call me upon hearing of his passing. I thought to myself, "Paco has touched another soul." Cheers, Bill
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And the end of the fight is a tombstone white, With the name of the late deceased, And the epitaph drear, "A fool lies here, Who tried to hustle the East." --Rudyard Kipling
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REPORT THIS POST AS INAPPROPRIATE |
Date Feb. 27 2014 18:44:05
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pjn
Posts: 113
Joined: Mar. 23 2009
From: New York

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RE: How can we honor Paco? (in reply to gj Michelob)
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Well thanks again -- would you say, apropos of "what happens now," that Grisha is certainly the best known, and probably the best, representative of a new position for Paco's music in particular, and flamenco music in general -- a body of work (as they say) which can be replicated, with varying degrees of success, and more importantly internalized and "interpreted" by a skilled player, "owned" I guess is the expression nowadays; so that there is Bach, Beethoven, Chopin, Tárrega, Brouwer, Villa-Lobos, whoever you like -- and Paco, Vicente, et al as well. At a certain point the musical world has to accept that these player/composers of flamenco are to be considered in the same light as the classical masters -- whether the flamencos themselves like the company or not!
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REPORT THIS POST AS INAPPROPRIATE |
Date Feb. 28 2014 2:08:32
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