Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





Fandango De Huelva lesson   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: [1]
Login
Message<< Newer Topic  Older Topic >>
 
himanshu.g

 

Posts: 42
Joined: Jun. 9 2016
 

Fandango De Huelva lesson 

  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 23 2021 7:12:46
 
Ricardo

Posts: 14231
Joined: Dec. 14 2004
From: Washington DC

RE: Fandango De Huelva lesson (in reply to himanshu.g

Excellent video. One thing to warn people learning this..at 1:03:30 he is discussing the copla structure and if you accompany a singer that does not sing “cuadrao”, then you have to stay on which ever chord you are on and he recommends keeping the 6 beat pattern of the right hand (x 23, x 5...). This is a little dangerous because there are times when you feel that 5 accent in the mathematically wrong spot (2). So I recommend you keep 3’s only and don’t worry about that 5 accent until the singer begins the next phrase.

A clear example of this is Banderillas on Tauromagia...you can do the right hand pattern for the singing of the estribillo which is done twice during the song (both times the same way). It is not cuadrao and not even 6 groupings work you will notice when they sing “En la Torre la valeta”. So just keep the 3’s until you sense a spot where you answer the phrase.



_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 23 2021 15:55:06
 
Morante

 

Posts: 2080
Joined: Nov. 21 2010
 

RE: Fandango De Huelva lesson (in reply to Ricardo

¡Ole! The difference between theory and the real world
  REPORT THIS POST AS INAPPROPRIATE |  Date Apr. 23 2021 16:55:13
 
Cervantes

 

Posts: 503
Joined: Jun. 14 2014
From: Encinitas, CA USA

RE: Fandango De Huelva lesson (in reply to himanshu.g

This was just awesome.
First Samuel is an amazing player and this gives some insight into how he got to that level.
This is a good review of techniques and sets a high standard to work towards.
My teacher started me with a similar approach but this gave me a new appreciation of the importance of it.
I have not taken lessons for a few years, so this helps in that respect.
I would like to see him go into more detail on the techniques although he does that some.

_____________________________

Ah well, there was a fantastic passion there, in my case anyway. I discovered flamenco
very early on. It grips you in a way that you can't get away - Paco Pena
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 20 2021 16:21:42
Page:   [1]
All Forums >>Discussions >>General >> Page: [1]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.046875 secs.