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Planet Waves NS Classical Guitar Capo PW-CP-04
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rombsix
Posts: 7903
Joined: Jan. 11 2006
From: Beirut, Lebanon
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RE: Planet Waves NS Classical Guitar... (in reply to Anders Eliasson)
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quote:
So far I can say that its the capo I have liked the best. Its light, easy to use, including with one hand, fast to move and have very little impact on the tuning and doesnt come in the way when doing "strange" chords. Also, its very gentle to French Polish. Mates, this is the best capo in my opinion: http://www.jimdunlop.com/product/classical-trigger-capos I don't care about it looking like a work of art or not. It WORKS very well, and is truly a one-hand capo (no knobs, nothing to turn or clip, etc.). It provides no obstruction to the left hand, and it does NOT alter the tuning at all (within limits of normalcy of course). It's very light too, and quite durable. Try it!
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Ramzi http://www.youtube.com/rombsix
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REPORT THIS POST AS INAPPROPRIATE |
Date Mar. 6 2011 8:31:44
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Erik van Goch
Posts: 1789
Joined: Jul. 17 2012
From: Netherlands
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RE: Planet Waves NS Classical Guitar... (in reply to mark indigo)
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quote:
ORIGINAL: mark indigo a Bb chord, no? more precisely a Bb9#11? spelling: 5, 1, 3, 7, 9, #11 I might be wrong (and your question mark suggest your'e not sure as well) but what you choose to call 7 (suggesting an a-flat) to me feels more like an enharmonic g# (replacing the commonly played g in Bb/g and resolving to a in the next A chord, presuming we are dealing with a phrygian). Also the 11 seems to be a natural e to me (no need for the #). Although i like to see it as a Bb chord myself (5,1,3,#13?,9,11) my non flamenco moulded teacher of musical theory might even have called it G#13/F (7,3,5,1,11,13) Personally i embrace the suggested "B flat mojo" :-)
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REPORT THIS POST AS INAPPROPRIATE |
Date Feb. 19 2013 0:06:46
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guitarbuddha
Posts: 2970
Joined: Jan. 4 2007
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RE: Planet Waves NS Classical Guitar... (in reply to Erik van Goch)
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quote:
ORIGINAL: Erik van Goch quote:
ORIGINAL: mark indigo a Bb chord, no? more precisely a Bb9#11? spelling: 5, 1, 3, 7, 9, #11 I might be wrong (and your question mark suggest your'e not sure as well) but what you choose to call 7 (suggesting an a-flat) to me feels more like an enharmonic g# (replacing the commonly played g in Bb/g and resolving to a in the next A chord, presuming we are dealing with a phrygian). Also the 11 seems to be a natural e to me (no need for the #). Although i like to see it as a Bb chord myself (5,1,3,#13?,9,11) my non flamenco moulded teacher of musical theory might even have called it G#13/F (7,3,5,1,11,13) Personally i embrace the suggested "B flat mojo" :-) Fifth in the bass and tonic and major third/seventh shell will almost always sound like a seventh chord unless the voice leading really strongly suggests something else. Bb alt would suit me. Eleventh is named with respect to the assumed root if that is Bb then that would be Eb, since the chord has a fifth(F natural) the E natural would be considered an augmented eleventh. I don't really see this chord resolving readily to C# major or minor in a flamenco palo so I would tend to avoid calling it any kind of G#. A really extended chord like this would cry out for a more extended chord to resolve to so I would be inclined to allow a seventh in the A phrygian tonic, dispelling the illusion that the Ab was a G#. It could be considered to be a Dminor seven flat five add nine in first inversion or an Ealt/F. But really its pretty much gonna go to A. Mind you I dont have any objection to Bb mojo, but then I'm not a horn player. D.
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REPORT THIS POST AS INAPPROPRIATE |
Date Feb. 19 2013 16:23:35
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