Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
At 3:08, I disengage the mid-side mode, and go into summed mono mode, so you can hear the difference.
This guitar is fitted with a soundboard transducer as well as a gooseneck microphone, both internally mounted (you can see the microphone through the sound hole). Because of the particular devices I used here, I had to put two mono endpin jacks into the tail of the guitar, one for the SBT and one for the mic. The SBT goes via a TS cable into Ch 1 of the MS-2, and the mic goes via a TS cable into Ch 2 of the MS-2. The MS-2 then generates the stereo image. I am *extremely* satisfied with the sound I get from this setup, and it is very resistant to ambient noise, so I can record more or less with anything going on in the background, and none of it comes into the recording, but I get a sound that is very similar to being mic'd up externally, which is fabulous!
Printable Version
New Messages
No New Messages
Hot Topic w/ New Messages
Hot Topic w/o New Messages
Locked w/ New Messages
Locked w/o New Messages
Post New Thread