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Accompanying cante and baile
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rombsix
Posts: 7815
Joined: Jan. 11 2006
From: Beirut, Lebanon
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Accompanying cante and baile
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Hello mates, This question has probably been asked millions of times. I learned most of my flamenco from the Oscar Herrero Paso a Paso series. Then I learned bit by bit from here and there online about specifics of certain palos. Is there a "Paso a Paso series for cante and for baile" out there somewhere? Thing is, there's been a couple of baile workshops in Lebanon the past few, and I'd been too busy with exams to try and accompany. The organizer probably got pissed off at me because I say I want to every time, then I back out due to studies. They now play CDs instead. I was thinking of really trying this time. This got me wondering as last time I communicated partly with the dancer to be giving the workshop, and asked, "Mate, I don't really know how to accompany baile. I never have. Can you TELL me what to do on guitar, and I'll actually execute that, and have it work out?" To which he replied, "Yes. Just show up, and we'll make it work." So, do dancers usually KNOW what should be played on guitar? Will they know how to explain what should be done (in terms of escobillas, salidas, llamadas, etc.) without themselves being tocaors? Gracias!
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Ramzi http://www.youtube.com/rombsix
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Date Nov. 15 2010 9:08:44
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Schalli
Posts: 94
Joined: Sep. 15 2010
From: Mannheim, Germany
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RE: Accompanying cante and baile (in reply to rombsix)
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quote:
So, do dancers usually KNOW what should be played on guitar? Will they know how to explain what should be done (in terms of escobillas, salidas, llamadas, etc.) without themselves being tocaors? Hi Rombsix. I would say this depends heavily on how experienced the dancers are... I accompany a Solea Beginners Course here in Mannheim together with my Guitarteacher, and my impression is that only my teacher and the Danceteacher know what should be played. I think many (beginner)dancers would even run down their programm if you would play totally random, as long as you've got the compas of course. Maybe they would not even recognize :-( But i think/hope thats different with more experienced dancers ;-) Main thinks to accompany Baile can be found in Books, escobilla, llamada... the main challenge is to raise the tempo exactly like the dancer does... I think its much harder to accompany cante...? or at least for me ;-) But I'm a beginner in accompaneing, too...
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Date Nov. 15 2010 11:11:49
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rombsix
Posts: 7815
Joined: Jan. 11 2006
From: Beirut, Lebanon
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RE: Accompanying cante and baile (in reply to rombsix)
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Hola y'all! I got contacted by a dancer yesterday (who I've met before, and know a bit through Facebook, but don't really stay in close contact with), about the possibility of accompanying him. I said I am not a baile/cante, or flamenco-in-general expert, but I don't mind. We exchanged contact information, and he surprisingly contacted me today, and we met and had coffee. He was insisting that we meet, and I frankly didn't just brush him off because I thought, if this guy is coming to me, and seems enthusiastic, then maybe this is the break I was waiting for to screw my courage to the sticking place and finally go for some accompaniment, after NINE years of playing solo in my room! We decided to meet up next week, and see what we can come up with. I was frank with him though, that this is going to be a part-time thing, and I am NOT a full-time musician, contrary to him (being full-time, mostly Arabic folklore music, and partly flamenco, where he's taken several workshops, and recently spent three months in Madrid taking flamenco baile classes). I also made it clear to him that I have NOT accompanied anyone before (except my clone, in rumbas ), and that I am by no means an expert. He said that I am being too humble, and that he's seen my videos online, and that I am underestimating myself (which is something I would rather do, than to portray an image of being better than I actually am). Let's see how the meeting will go. I'll keep y'all posted. Unfortunately, the studio he teaches at (and expects me to meet him at) is NOT a walking-distance away from my home, which means I need to drive there (and I'm not too keen on driving). I guess I'm going to need to start taking flamenco seriously if this works out. I guess if I manage my time, and make use of this opportunity, I'll benefit on many levels (get some accompaniment experience, work on some decent flamenco rather than mostly rumba, get some practice driving, meet new people, and hopefully make better use of my time to study for my exams / courses knowing that I now have something "serious" to do other than school, which should hopefully get my life more in order). Or else, I'll either fail in school, or shy out of this accompaniment gig. (mixed emotions, as you can see).
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Ramzi http://www.youtube.com/rombsix
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Date Jan. 16 2011 18:34:11
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rombsix
Posts: 7815
Joined: Jan. 11 2006
From: Beirut, Lebanon
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RE: Accompanying cante and baile (in reply to rombsix)
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Hello friends! I just got back from my first dance accompaniment session with the dancer I told you about (who contacted me two or three weeks ago). I showed him what I can do, and he showed me a bit of what he can do. Clearly, however, I don't know much when it comes to baile. He started throwing terms at me, llamada, escobilla, etc., and I didn't know what he was talking about. I mean, I know what a llamada is, and what an escobilla is, but I don't know HOW to play them. He gave me tips about what he usually hears guitarists do, but I need to work on these on my own. I guess I'm moving onto the big leagues now, having to start working on real flamenco, instead of rumbas and Amr Diab stuff. He said that he has some sort of DVD that has the important palos on it, and shows (through audio) what needs to be played in llamads, escobillas, letras, etc. I hope I can get that stuff from him. I am also going to shift gears now and start listening to cante and watching baile videos. I have some material about that, which I'm going to work on too. He said he would like to start with alegria and buleria, so I'm going to start off with those. He really cornered me when it came to compas. I am SOLID when it comes to the compas cycles I know (which I use to play solos and falsetas), but they sounded so BORING when I just kept playing them over and over. I tried to improvise compas cycles like the ones I hear in cante tracks, or in baile videos, but I failed miserably! I was thrown off compas, and I got "the look" from the dancer. And that was in the palos I considered myself to be really good at (solea for example). He wanted me to play solea por buleria, or seguiriya, but I just ran away from those because I am SUPER weak when it comes to those palos, especially seguiriya! Even though I know it is not libre, it just sounds as such to me. The whole rubato/elastic compas in seguiriya just drives me nuts! Boy, am I such a beginner when it comes to "real" flamenco... Oh well, back to the drawing board, I guess. Any help or tips would be really appreciated (or just words of wisdom, or support ).
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Ramzi http://www.youtube.com/rombsix
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Date Jan. 29 2011 20:58:56
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