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El niño Miguel
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RE: El niño Miguel (in reply to Tenshu)
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I cant say exactly what happened to Miguel, but from what I´ve been told you´re probably right. And to this you can add years of playing in the streets. Miguel now has long silver hair, no teeth and dirty clothes. I saw and heard niño Miguel a few weeks ago in a Peña in Huelva. He played a 2 set gig. It took me 1 palo to get used to his playing and actually hear him instead of feeling overwhelmed. His guitar (very cheap laminated sides and back) sounded like ****. He´s got no nails, giving this rude pflump sound, he is agressive and dirty playing and what he plays is extremely difficult. Lots of old Paco stuff and other things I didn´t recognize. maybe his own things. When I got through that, I really enjoyed the show. His attitude is very direct in your face, almost punk. What I enjoyed was that there´s no doubt that the man plays a lot, that playing is his life. This guy had something to say and it was quite emotional to be there. There were another guy playing with a singer (good singer), but I cant remember what he played. He was everything correct, tons of tecnique, Conde A25, new strings, black shoes and semi long hair in the neck ...... But..... empty.
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Date Mar. 3 2006 16:27:53
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RE: El niño Miguel (in reply to Tenshu)
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I dont know about more recordings. When I was in the peña, I thought about saying hello to Miguel, but I did not do so, I´m not very extrovert when it comes to these things, and besides, I think he had already told me his story. It was all here in his music. And that´s why I liked his gig It was very personal, and I was full of impressions. I was happy when I left the peña.
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Date Mar. 5 2006 18:32:06
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Exitao
Posts: 907
Joined: Mar. 13 2006
From: Vancouver, Canada
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RE: El niño Miguel (in reply to Miguel de Maria)
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quote:
I like the "Buena Vista Social Club" idea, I just wonder if people like that exist in Spain? Is there a forgotten generation of great players who have fallen by the wayside because of age or changing fashions, yet retained a large portion of their skills? The second issue is do they have charisma and likeability like the soneros. Cuba is full of characters who are charming and probably a little crazy. My conceptualisation would not only include those who are/were famous, but the kind of people who are great players of little fame. The kind that have lived the flamenco life. Everyone keeps going on about PDL this, PDL that, and everyone has to admit he's a great guitar player. But there must be some very accmplished flamencos out there who are only known within a small community. Players who may not bring virtuouso skills to their music but make up for it with authenticity. (Which is not to say that PDL is not authentic, but I'd venture to say he's not representative of the community.) Lately it has become a thing for historians to find people who have lived through certain experiences, or eras, to video interview these people. They call these people 'living history.' Historians are plagued by the fact that they have limited sources of information with which to examine events and this style of documentation is an attempt to over come this. In fact it seem that with the right people involved in a project like this it could be cross-disciplinary. Arts, history and anthropology. I wonder if the right group could get 3 grants.
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Date Jun. 23 2006 17:14:23
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