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I recall Anders saying he disiked the Savarez carbon trebles but preferred the Hannabach Goldin trebles (also ToddK uses them). I personally like the sound of the Goldin trebles (especially the volume and projection) but have failed to "adjust" to them completely. I have been playing them for a month or so now but I still find them more difficult to control (especially when playing tremolo passages) than the Luthier 30 trebles I used to play. Also, they sometimes sound "a bit over-the-top" to me. What do you think of "non-nylon" trebles for flamenco?
RE: carbon and titanium trebles (in reply to pacowannab)
Paco, Its a long time ago... I havent played carbon for years. Just like you, I dont adjust to them. I like the sound though. But picado is horrible on carbon trebles.
I wouldnt say no to Goldins because of the price. Yes, they are expensive, but they last forever. In general, you dont have to change treble strings. If you play more than 2 hours a day, change them once a year. I actually have a feel that some trebles like the La Bella 820B gets better with time.
RE: carbon and titanium trebles (in reply to pacowannab)
Paco, Its a long time ago... I havent played carbon for years. Just like you, I dont adjust to them. I like the sound though. But picado is horrible on carbon trebles.
I wouldnt say no to Goldins because of the price. Yes, they are expensive, but they last forever. In general, you dont have to change treble strings. If you play more than 2 hours a day, change them once a year. I actually have a feel that some trebles like the La Bella 820B gets better with time.