Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
RE: GUITAR PRICES-HOW HIGH IS TOO HIGH (in reply to Anders Eliasson)
Hi Anders, I guess my point is if you buy a well made guitar and take care of it, it will last. When I rebraced a guitar, it was due to damage and warping, not deformation due to age. Also as guitars get more expensive, I think we'll see more of this type of work. In the case of a traditional guitar built with hide glue, the cost of such a job will be much less than it would be if the guitar was made using white glue, never mind if it is a lattice braced instrument built with epoxy and carbongraphite. How's Nimbus btw? Julia and I still talk about our visit with you guys. Wish we were there now.
Miguel, I build at least one a batch these days. More than enough for me, to be honest.:)
RE: GUITAR PRICES-HOW HIGH IS TOO HIGH (in reply to Miguel de Maria)
quote:
Also as guitars get more expensive, I think we'll see more of this type of work.
You might be right (I hope so) but you might also be wrong. There´s a clear tendency in society to throw things away, even expensive ones, when they dont work anymore or when people get tired of them.
Everything fine here. Finally it has started raining. Almost for the first time since you were here, so you can imagine how dry it was.
RE: GUITAR PRICES-HOW HIGH IS TOO HIGH (in reply to Miguel de Maria)
Hi Anders, Glad to hear it started raining, that is if it hadn't since last march. Thats what I call a dry spell.:)
In terms of my forecast, the market value will almost always dictate the amount of effort someone will expend to save an item in question So lots of guitars will always fall by the wayside, just like lots of fiddles, lutes, pianos, buildings, species, etc...... I am hoping that people in the future will consider my guitars worth saving, and I am building them with the idea of making life as easy as possible for future restorationists. Safe bet is that that will be a determining factor.
MM, The ideal restoration is one where no one can tell you were there or the work that was done. So I would prefer not to leave "my sound" in any way other than to realize the maximum potential of the instrument in question.