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scales for rumba improvising
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Ricardo
Posts: 14828
Joined: Dec. 14 2004
From: Washington DC
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RE: scales for rumba improvising (in reply to tele)
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quote:
ORIGINAL: tele in addition to me personally I am very uncomfortable thinking when improvising, which makes using chord note thinking almost impossible for me, instead I most often use chord notes automatically without thinking, however if I am going to play jazz with modulation and chords outside the "parent scale" of the song I am forced to think in chord notes that don't fit the basic scale. All thinking that's outside the melody during improvisation is a loss to my playing as it takes alot of concentration to play as desired, basically following the melody in your head when improvising I recommend serious students to invest in Mclaughlin's DVD package....it is a complete course and can benefit ANY player that wants to improvise. It's pricey on line, but I just met him and saw him play a few months back, he was selling it for $50 bucks even...a ridiculous bargain. Any flamenco player that attempt the typical PDL inspired thing to improvise on rumbas rather than work out falsetas, would benefit IMO. We learn off the bat, jazz guys no matter how hi tech, have their "falseta bag" like any flamenco player. The purpose of their "falsetas" is not the same as flamenco, rather, "devices" that deal with stitching together tricky chord changes. A different discipline yet the modern flamencos have been doing this thing since Entre Dos Aguas hit the radio, yet they normally noodle until the fingers find something and don't even realize that it is simply "falsetas" again. Ricardo
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CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Nov. 26 2013 23:26:27
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Miguel de Maria
Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ
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RE: scales for rumba improvising (in reply to tele)
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Tele, I'm not much of an improvisor, but maybe knowing where the chord tones are is a fundamental thing that should be drilled until you do it by feel and don't have to think at all. Here is something that occurs to me--not advice to you, just an idea: 1. for every chord in the progression, learn where the tonic notes are in the range you are going to play 2. just mess around, noodle in the scale, and keep hitting those tonics, over and over. The tonics should land on a strong beat. do whatever you want, but bang those tonics like they're a cowbell! 3. after you are dead bored of this, add the 5th or the 3rd (your choice :), repeat, keep hitting that 3rd until you are bored of it! 4. on to the other of the 5th or 3rd and eventually 7th if you want to sound smooth and the 9th if you want to sound like Vicente ( :) ) 5. Now your playing will feature chord tones on the beats. It will outline the arpeggios and sound good even without harmonic support. You will have been working out your own way and personality the whole time. When someone asks you why it sounds good, you'll say this--and they'll say they don't want to have to think about arpeggios when they're improvising!
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REPORT THIS POST AS INAPPROPRIATE |
Date Nov. 28 2013 15:35:34
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