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Mic for live concerts
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RE: Mic for live concerts (in reply to xirdneH_imiJ)
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Dpa 4099 Combined with nuemann km 184 I own both of these.. Never crossed my mind to use as a pair Great microphones
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Date Apr. 18 2013 15:26:00
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RE: Mic for live concerts (in reply to xirdneH_imiJ)
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I understand the idea of moving towards the mic for change of volume and dynamics well.. The problem I had found with this idea is the closer the mic position is moved to the sound hole (or thereabouts) usually a lot of low end frequencies come into play, often blurring the top end (ie treble) and creating low end feedback or rumble.. This can also cause grief for the sound tech and usually you end up in the same place you started.. Ie tech decreases gain or volume.. Using the dpa ( or a Bartlett ) I found more attention to dynamic detail comes more from my hands.. Playing harder or lighter etc.. Old school I know but works a treat and has improved my playing dynamically and given me an approach to performance which involves more thought how to play certain parts of the dance.. I won the dpa on an eBay auction.. Paid less than half of the rrp I'm a total convert to these mics ( I own several mics but have reduced it down to either the 4099 or km184) Either through an amp like an aer or a PA system these work really well.. Sound techs also love them... As unlike something like a km184 don't pick up surrounding sounds.. Like footwork etc Just my thoughts and experience on switching to the dpa for live use..
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Date Apr. 19 2013 2:54:01
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RE: Mic for live concerts (in reply to Miguel de Maria)
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The bartletts are a great affordable option as we know.. Pressed to find anything better IMO I borrowed a dpa about 2 years ago and felt I wasn't really missing out.. I was happy with the sound of the Bartlett In between that I bought a nuemann km 184 One great microphone for acoustic nylon guitars..as testified by most live flamenco clips on you tube As time went one I started using the Bartlett less favouring the 184 regardless of any issue it may present in live situation Purely for its dynamic response ...highlighting low and high range frequencies that the Bartlett lacked The dpa is similar sonically to the nuemann but less problematic in live performance.. Especially with dancers.. The Bartlett on the other hand also works a treat live.. But much more midrange due to the frequency roll off in manufacture.. So to my ears the Bartlett acts more like a 'pickup' while the dpa more like a microphone The dpa and 184 bring out more the actual sound of my guitar while the Bartlett has its own colour and character.. Horses for courses All these microphones are great tools for live performances.. I also know my playing has changed over the last few years so it seems natural that I will change products to suit my needs.. Inside vs outside ? I'm favouring outside at present.. Mainly due to the dynamic possibilities..it is helping my performance. Regarding the dynamic control I imagine that seems humorous when playing a lot of classical pieces .. I recently spent 4 hours with Antonio Rey and observed the natural dynamic control he has.. Quite a revelation in terms of attack.. So started rethinking a lot about my approach .... Nice to find that blend of tension and relaxation when it come to flamenco.. Generally approached it like a bull in a china shop before that meeting :-) Hope that helps
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Date Apr. 19 2013 4:48:50
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RE: Mic for live concerts (in reply to xirdneH_imiJ)
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One fairly mute point is to me the dpa sounds better attached to the upper bout 2 hand Capo changes can be a bit annoying...knocking the mic with potential to dislodge the bracket.. Guess a clamp capo is a solution but I like my traditional capo or Jim Dunlop . Just an observation. . The other consideration is the 4099 is designed to be either wireless or with xlr - offers choice without hassle Does the meridian have the same option? Guess it depends if this feature is desirable.
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Date Apr. 19 2013 9:52:33
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