Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





RE: Soloing over Dominant 7 Chords   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: <<   <   1 [2]
Login
Message<< Newer Topic  Older Topic >>
 
Doitsujin

Posts: 5078
Joined: Apr. 10 2005
 

RE: Soloing over Dominant 7 Chords (in reply to at_leo_87

-

_____________________________

  REPORT THIS POST AS INAPPROPRIATE |  Date Jul. 22 2012 10:45:08
 
Kevin James Shanahan

Posts: 407
Joined: Oct. 10 2010
From: Wooli, NSW Australia

RE: Soloing over Dominant 7 Chords (in reply to Doitsujin

I was thinking that doit .

_____________________________

Peace.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jul. 22 2012 11:18:37
 
Ricardo

Posts: 14848
Joined: Dec. 14 2004
From: Washington DC

RE: Soloing over Dominant 7 Chords (in reply to El Kiko

quote:

is that the 3rds and 7ths define the chord , strangley enough ..not the root ...not until the end anyway ....
So .....G7 ...gives you an F and and B note ....find them two then .....slide down 1 fret ......both notes ....and you have E and Bb ..for your C7 chord ......(although you notice now that the 3rd and 7th are the other way around ....slide down another fret ....to , Eb and A ...etc ...this happens basically because of the cycle of 5ths you are following ....etc etc ....


Pretty much the exact thing I described in my last post regarding tritone location on the fingerboard and moving down a fret as the chords change. In the case of E and Bb you move back up to that for the Bb chord too where the intervals become root and #4 or #11 rather than 3 and 7 as occured in the dominant chords.

Ricardo

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Jul. 23 2012 16:25:17
Page:   <<   <   1 [2]
All Forums >>Discussions >>General >> Page: <<   <   1 [2]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.046875 secs.