RE: Soloing over Dominant 7 Chords (Full Version)

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Doitsujin -> RE: Soloing over Dominant 7 Chords (Jul. 22 2012 10:45:08)

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Kevin James Shanahan -> RE: Soloing over Dominant 7 Chords (Jul. 22 2012 11:18:37)

I was thinking that doit .




Ricardo -> RE: Soloing over Dominant 7 Chords (Jul. 23 2012 16:25:17)

quote:

is that the 3rds and 7ths define the chord , strangley enough ..not the root ...not until the end anyway ....
So .....G7 ...gives you an F and and B note ....find them two then .....slide down 1 fret ......both notes ....and you have E and Bb ..for your C7 chord ......(although you notice now that the 3rd and 7th are the other way around ....slide down another fret ....to , Eb and A ...etc ...this happens basically because of the cycle of 5ths you are following ....etc etc ....


Pretty much the exact thing I described in my last post regarding tritone location on the fingerboard and moving down a fret as the chords change. In the case of E and Bb you move back up to that for the Bb chord too where the intervals become root and #4 or #11 rather than 3 and 7 as occured in the dominant chords.

Ricardo




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