gmburns -> RE: Cultural Flamenco Questions Thread (Mar. 6 2014 14:27:01)
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ORIGINAL: mark indigo quote:
Seeking Silverio: the Birth of Flamenco by Paco Sevilla. Amazing book. Much more serious than Howson's, though Howson's was certainly entertaining. but.... Howson's book is a memoir and Sevilla's book is a self professed work of historical fiction.... I got that this was sarcastic in some way, but didn't catch the relevance to my comment, unless you're poking at Howson. Howson's book was really entertaining. Some lively characters, and I'm really not sure how authentic it is. Not sure I care either. It's a well-told story at the very least. Sevilla's book is definitely historical fiction, but it seems he really did a lot of research and in fact seems to have taken excerpts from other sources and implanted them into his book (with credit, of course). His story-telling flows much better than Howson's book does, but Howson's story fell apart at the end. I think he just needed to find a way to finish. Sevilla's doesn't sit on that precipice of what's going to happen next. One can almost feel what will happen next based on the foundation of the story, but of course it's how it happened that makes it intriguing. Very different styles, but I love them both thus far. I feel that I'm learning more from Sevilla than I did from Howson. This may be unfair since I read Howson's first and there are terms in that book that I don't need to look up now (i.e. - I'm reading at a more "advanced" level - if that's what you want to call it). quote:
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One thing that I'm finding quite strange is how Sevilla depicts singers as being in demand (lots of cafes, parties, etc) and yet there not being enough work to live off the singing. This contradiction strikes me as odd, but then it seems that the artists didn't do it for the money, just to play and work. I wonder if this is still true today. my impression from reading the book (several years ago now) was that well known singers were in demand and the young protagonists were trying to break into the scene. Also that although there was work available there were lots of artists vying for it, and the pay wasn't high. I didn't see any contradiction, but I'm due to read it again some time so I might have missed something.... Well, there's definitely that feel to it for sure. There are a lot of people competing for work and the kids are breaking in, but at the same time the invites are endless. I wonder if / when the idea of getting paid after a performance stopped, and when performers started to get paid in advance (for parties, of course). This idea has to be dead right?
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