Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





flamenco and the son/rumba clave rhythm.. coincidence?   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: [1]
Login
Message<< Newer Topic  Older Topic >>
 
vigrond

 

Posts: 161
Joined: Nov. 30 2010
 

flamenco and the son/rumba clave rhy... 

the son / rumba clave rhythms root has been traced to africa

they are usually either a 2/3 or a 3/2 8 beat rhythm, with 2 accents on one side and 3 on the other.

this is very similar to flamenco rhythms, which have 2 on one side and 3 on the other.

is this just a coincidence..? or did the moors pick the same rhythms up from africans and took it with them to spain, just as the african slaves took it with them to cuba?

just a thought
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 15 2014 23:41:10
 
guitarbuddha

 

Posts: 2970
Joined: Jan. 4 2007
 

RE: flamenco and the son/rumba clave... (in reply to vigrond

Opening melody of the Beatles Michelle.

Very slow 3 2 son clave with the third hit of the three side missing.

Charlston rhythm
Bo Diddly rhythm
Johhny b Good
Accents in the rhythm guitar part of Black Sabbaths paranoid.

Virtually all pop music since the sixties is based on latin rhythms.

Interesting rhythms from ethnic traditions are much harder to write so are more readily transmitted auraly.

Even today pop songs are published with the rhythm of the melody simplified to the point of coarseness.

We really don't know to what extent sung music from prerecorded times used asymettrical stress and syncopation because we cannot trust the precision of the transcriptions.

I like to think there has always been a lot of swing around everywhere for a very long time.

D.
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 16 2014 0:04:02
 
El Kiko

Posts: 2697
Joined: Jun. 7 2010
From: The South Ireland

RE: flamenco and the son/rumba clave... (in reply to vigrond

well they are ..3/2 rhythms ...but it still would be written in 4/4...
it just means you have the first bar with 3 notes in it and the second bar with 2..which changes things quite a bit ... although , depending on the tune .. which is the driving force, it could start on the 2nd bar and thus turn the whole thing around .. although still in 4/4 it would be more like 2/3 ..and then you would have you little 'turn around in the music as well ...

I think its a fairly recent afro/cuban rhythm , in terms of the century ...and the bigger influence of the moors came from north africa (Al Andaluz ) but imported from the east as oppose to the south ...
so due to its more recent appearance and location .. i would say .. probably not ...

_____________________________

Don't trust Atoms.....they make up everything.
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 16 2014 1:31:06
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: flamenco and the son/rumba clave... (in reply to El Kiko

Hemiola's been around at least since the Renaissance. Even Bach got his hemiola on.

_____________________________

Connect with me on Facebook, all the cool kids are doing it.
https://www.facebook.com/migueldemariaZ


Arizona Wedding Music Guitar
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 16 2014 3:10:40
 
Ricardo

Posts: 14828
Joined: Dec. 14 2004
From: Washington DC

RE: flamenco and the son/rumba clave... (in reply to vigrond

correct about rhythmic accents and syncopation being around a long time, and probably all rooted in Africa/Middle East. But the numbers 3/2 etc, that being FIVE accents, is coincidental and arbitrary. "Accents of what?" is the important question in terms of looking for connections between different musics. For sure you will find them. But for example, Rumba flamenco and Rumba/Son are totally different claves (accent patterns), as are Guajira Flamenca and Guajira de Cuba....the only "relationship" is the name itself.

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com
  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 16 2014 13:17:12
 
guitarbuddha

 

Posts: 2970
Joined: Jan. 4 2007
 

RE: flamenco and the son/rumba clave... (in reply to Ricardo

32 or 23 refers to the order of the bars. One bar has three hits on the clave (wooden stick) the other has two. Melodies fit best with one or the other and in either inversion (32 or 23).

You have to be very careful with this though as the rumba clave when played 23 has an accent anticipating the downbeat of the first bar so actually sounds like 32 till you learn to identify it properly !

For example The girl From Ipanema its perfectly with rumba clave in 32. Less well with the others.

This guy breaks it down quite well for English speakers.

  REPORT THIS POST AS INAPPROPRIATE |  Date Mar. 16 2014 13:33:22
Page:   [1]
All Forums >>Discussions >>General >> Page: [1]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

6.201172E-02 secs.