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New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio"
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Conrad
Posts: 533
Joined: Jul. 16 2003
From: Toronto, ON, Canada
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RE: New Transcription - Vicente Amig... (in reply to Doitsujin)
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Hey Doit, Thanks for the tip but I don't see it as wrong, just different. It's virtually the same thing except I just don't have so many bar lines, haha. Anyway I just find it easier to read. It's not so cluttered this way. Anyway, if we were to represent accents better, we might think about writing falsetas with alternating bars of 6/4 and 3/2. Of course, not all music out there has palmas accenting those beats, but it's just a thought. I'm not gonna change it unless it's a big problem for everyone. And this makes far more sense for me anyway, starting the bar on beat "12" and so on. Con
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REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 28 2005 17:03:04
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Conrad
Posts: 533
Joined: Jul. 16 2003
From: Toronto, ON, Canada
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RE: New Transcription - Vicente Amig... (in reply to Doitsujin)
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The other thing is that I realize they are not perfect learning materials... I have neglected to include fingerings for left hand and right hand, and I have not indicated how chords are struck (for example - with alzapua), and where there are rasgueados. But it's all there to be deciphered from the music, and like I had written before, only advanced players will be able to play these falsetas, I imagine, and they will have the knowledge to decide what fingers to use. I have fingerings in my head for all of them and believe me they work, you just have to find them. Again if it's a big problem then I will spend more time to write these things in the transcriptions. I'm not selling them like Alain Faucher. ole, Connie
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REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 28 2005 17:20:18
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