New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Full Version)

Foro Flamenco: http://www.foroflamenco.com/
- Playing: http://www.foroflamenco.com/default.asp?catApp=1
- - Tabs: http://www.foroflamenco.com/in_forum.asp?forumid=6
- - - New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio": http://www.foroflamenco.com/fb.asp?m=20540



Message

Conrad -> New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 27 2005 20:59:31)

Hi,

Here's a nice falseta from Vicente from a great album of Jose Merce.

-Con



Florian -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 27 2005 21:31:59)

Dude you getting so good and quic at this , i reckon you deserve your own web , 3 greate transcriptions in 3 days, thats brilliant man.

And thank you so much for beeing so generous with it. you are a legend.

and btw i love it when you transcribe VA stuff



flamencoguru -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 27 2005 21:56:05)

Here it is in PDF.

Un saludo, Errol

http://www.flamencoguru.com/Flasetavicenteamigo2.pdf



Doitsujin -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 28 2005 10:39:48)

hmmm... Its cool that you transcribed the falsetas but could you tab in compas next time? 12beat compases in 3/4. Its good meant but tabs where isnt correct compas are not good.



Conrad -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 28 2005 17:03:04)

Hey Doit,

Thanks for the tip but I don't see it as wrong, just different. It's virtually the same thing except I just don't have so many bar lines, haha. Anyway I just find it easier to read. It's not so cluttered this way. Anyway, if we were to represent accents better, we might think about writing falsetas with alternating bars of 6/4 and 3/2. Of course, not all music out there has palmas accenting those beats, but it's just a thought.

I'm not gonna change it unless it's a big problem for everyone. And this makes far more sense for me anyway, starting the bar on beat "12" and so on.

Con



Conrad -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 28 2005 17:20:18)

The other thing is that I realize they are not perfect learning materials...

I have neglected to include fingerings for left hand and right hand, and I have not indicated how chords are struck (for example - with alzapua), and where there are rasgueados. But it's all there to be deciphered from the music, and like I had written before, only advanced players will be able to play these falsetas, I imagine, and they will have the knowledge to decide what fingers to use. I have fingerings in my head for all of them and believe me they work, you just have to find them. Again if it's a big problem then I will spend more time to write these things in the transcriptions. I'm not selling them like Alain Faucher.

ole,

Connie



Doitsujin -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 28 2005 18:14:48)

Yes, thats right. Its much work to write that down with all details. Its too much work if you dont get money for it. When I hear the falseta and watch your tab, I understand. Its good enough to use. Im just a lazy person. I only use material when I know that I could use it without needing too much time. ^^ And I usually ony tab falsetas of me or my friends to practice it with gp4 when the compas is difficult. Go on tabbing these interseting stuff (more diego would be great hehe) (^_-).



Ricardo -> RE: New Transcription - Vicente Amigo Solea por Bulerias from "En Tu Silencio" (Aug. 29 2005 0:00:49)

Thanks for another great falseta, one of my favorites. I agree with Conrad here about the timing issue. There are better ways to notate the head and the tail of the compas, and the overall feeling better than the traditional 3/4 way. I like your way Condrad, I have not seen it done this way often, but I think it conveys the feeling you want to a good reader. A lot of us have gotten used to reading 12-count compas "wrong", LOL!

Playing for dance you get to know how to morph Solea into Solea por bulerias and that into bulerias, and along the way the feeling changes. It should follow that the meter changes as well, but that 12-count business the dancers use makes everything seem nice and neat.

Ricardo



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