Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
RE: How to build a guitar resistant ... (in reply to Guest)
Rumbaking you have a guitar on order and you're already thinking about the next one, sounds like you have a bad case of GAS. Post some pics or video when they arrive and your wife never needs to know
Posts: 271
Joined: Sep. 19 2011
From: Louisville KY
RE: How to build a guitar resistant ... (in reply to Guest)
Alright Rumbaking. You have me itching and twitching waiting for that "opening the box video"! In the mean time, how about sharing some specks with us? Come on now and lay it all out, and don't be shy... I'll have some time on my hands before ordering/ buying another guitar, so I will live through you for a while... My latest excitement is a new cejilla from Tony, and that has been a true delight, but not quite as warm and fuzzy as opening up a new guitar... Maybe you should call on Anders for this mahogany and cedar monster negra? He has the ideas all laid out here! Gosh this is making me sweat!!
RE: How to build a guitar resistant ... (in reply to Guest)
Ok! So it's more function of your environment...why not
First I understood that, let say, one will be a rumba' bone, another for sevillanas and the last one for the soleares form
But damn, lately i made some saddles. And I've tried 'em on the guitar it's a pain_in_the_ass to : unstring, remove, change, restring, waiting for the strings to stay in tune again...It's certainly not something I'd like to do on a regular basis. That's sucks
So i'm glad that you're not gonna do this every time you change palos
_____________________________
"The most important part of Flamenco is not in knowing how to interpret it. The higher art is in knowing how to listen." (Luis Agujetas)
Printable Version
it's a pain_in_the_ass to : unstring, remove, change, restring, waiting for the strings to stay in tune again...It's certainly not something I'd like to do on a regular basis. That's sucks 
New Messages
No New Messages
Hot Topic w/ New Messages
Hot Topic w/o New Messages
Locked w/ New Messages
Locked w/o New Messages
Post New Thread