Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva, Tom Blackshear and Sean O'Brien who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
Just curious if anyone uses the pulgar up-down technique (using the thumb like a pick) for runs that one would typically use picado? I find this to be an interesting technique, with a unique sound that is arguably not as well-defined as doing single notes with a strong picado. The up-stroke attack with the nail definitely has a less clear quality to it, but I kind of like the up-down sound in the runs that I have been playing around with. My thumb has always been my biggest strength, and I have been experimenting with this technique a bit lately.
Any comments? Anybody know of any players who use this technique extensively? At all?
I love it! I don't see that technique used that often, but I really like the sound. I know some people think the up part of the stroke is weak sounding, but this is a really good example of how the up down stroke can be utilized well. Amazing! Thanks for the video.
I believe Gerardo Nunez in his Encuentro dvd explains a little bit about this technique, I recorded one of those falsetas in which you use a few times the up and down technique.
I made a few mistakes in it, think this was one of the first videos in which a played a compas lol... before this I had only a little clue about flamenco tempos