Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
Yeah. Modern, and mine. I posted it a long time ago but I think the host dropped me for not using my account. I can repost it if you can't find it.
thanks, romerito. i'll dig around for it. so i take it, we DON'T have to stick to the Em - B7 formula and it would still be okay?
and i feel silly for asking this, as i should know this by now, but can you stretch the compas a bit for the silencio instead of playing it metronomically?
and yeah, what happened to the notation tool? it was cool.
I've often seen silencios danced 8 compases long - and I've been taught a couple of 8 compas ones from different teachers. Could it be that they used to be 8 compases long and the trend is now for shorter ones? Or were the ones I came across atypical or a trend at that time? I can post audio if anyone's interested.
The other thing to check with the dancer is whether they want the silencio to slow to a stop and they start the escobilla, or if they want to do a castellana the usual thing would be to speed up through the 7 - 8 - 9 - 10 of the final compas into a remate. Aloysius.