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stumbled across this clip. thought i could use a simple variation to hook on to the typical trad. siguiriyas falseta he plays in the video. I set out to transcribe his variation to get to grips with it, as he's playing quite freely, but now I'm seriously confused!
I can't find a way to fit these notes in any compas pattern, either single or pair. Is he off or is it me? he's teaching this, so I just assumed that what he plays would fit in whole compases..
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RE: Help needed with Siguiriyas (in reply to mrMagenta)
Hes not extremely save but correct. This tab is in the same quality as his playing. A bit amateurlike but ok (sorry..now I see you wrote it...the tab is pretty nice) .
Here he counts in the first few seconds the compas.... He suprised me..I thought I already know any odd way of counting sig. He takes the cake....for the absolute strangest wy to count it..lol
I count 7 (8) 9 (10) 11 (12) 1 2 (3) 4 5 (6) If you cout from the backside to the front like this... (6) 5 4 (3) 2 1 (12) 11 (10) 8 (8) 7 its the rythm of bulerias...see following for claring up. (12) 1 2 (3) 4 5 (6) 7 (8) 9 (10) 11
You see.. as I told in past as Rafael Cortes´s grandfather or uncle said... Siguiryas is a gay bulerias... A bulerias that starts from behind. haha.. Hes right. (see above)
RE: Help needed with Siguiriyas (in reply to mrMagenta)
uh. might be confusing to look at my notes: measure 4 and 5 is where I've began to fill it in. the bottom measure (red) contains the notes that need to be fitted somehow into measures 4 5 6 or 4 5 6 + ?
RE: Help needed with Siguiriyas (in reply to mrMagenta)
Explanation:
I think at 1:23 or so he does a mistake. After the pull off from e on the D string, the open D string should sound twice, not once. This way he resolves before 3 instead of on the beat. It can be done but thats not the typical phrase as i know it and it leads to rhythmic confusion.
RE: Help needed with Siguiriyas (in reply to mrMagenta)
Hehe, his groaning is quite loud.
I didn't pay attention to his counting method. I usually think of the 12 beat pattern as five beats: short short long long short : ta ka, ta ka, ta ke ti, ta ke ti, ta ka that's why i divide the measures in siguiriyas this way. took it from norman
:-) this is just a draft for making sense of his playing, so don't stare at the beaming and accidentals etc.
RE: Help needed with Siguiriyas (in reply to mrMagenta)
Deniz. I thought so too. I've learned that part with a p upstroke across the bottom three strings at the place where you want another open D. I kind of like the confused feeling sometimes though.. but the confusion here is what follows after the repetition of those compases
RE: Help needed with Siguiriyas (in reply to mrMagenta)
Estevan! Thanks a lot. Now - the question is. Is it alright to leave out the last beat of the compas this way? the compas repeats at measure 6, but that means it skipped one
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RE: Help needed with Siguiriyas (in reply to mrMagenta)
I think he screwed up! (maybe that's why he made that humming sound - it was a repressed "Oh sh*t - but maybe they won't notice") . That is more or less the rhythm that he plays, but it's not right. Don't copy him, make your own - one that's in compas.
RE: Help needed with Siguiriyas (in reply to mrMagenta)
Thanks again guys! That was quick.
I'll do my own variation of the same kind of idea, but in compas, hopefully :-). I'm collecting some short and simple falsetas. once on stage that's all I can manage anyway