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Compound Memory
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JBASHORUN
Posts: 1839
Joined: Jan. 23 2005
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Compound Memory
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I know about 3 different Soleas now. Not long ones, but 2-3 minutes each, and all slightly different. One thing I've noticed is that when I decide to play a Solea off the top of my head, what comes out is a MIX OF ALL THREE. I've got the intro from one, the remate from another, and a falsetta from the other one. these parts tend to change around, so that each time I play a solea casually, it will be slightly different. and I've even started attempting to compose my own remates (is that what they are called?). I find that once I've got the basic chords and rhythm down you can "mess around" with the rest and almost make it up as you go along! anyway, I just thought I'd mention it because it struck me as being slightly similar to "improvisation", and so I figured that when you "improvise", what you are actually doing is drawing from all the things you have ever learned/played/heard and hold within your memory- perhaps even unconsciously. And I call this "compound memory". so what comes out is most likely INFLUENCED (at very least) by something you have played, learned or heard before, even if it sounds slightly different. I guess this (and compas) is partly why some Flamenco songs sound so similar to eachother. But every now and again, there comes a PDL who thinks OUTSIDE THE BOX... in other words, he dares to deviate from his compound memory and actually uses "original creative thought" to evolve the artform. Obviously I'm not saying that every Bulerias sounds exactly the same, but I think my point is that its easier to remain within the creative confinements of memory and tradition than it is to make a TRULY original creative thought. Any opinions, or am I just over-philosophizing again? Jb
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¡Si esto no está en compas, esto no es el Flamenco!
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Date Apr. 14 2007 15:16:34
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JBASHORUN
Posts: 1839
Joined: Jan. 23 2005
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RE: Compound Memory (in reply to Ron.M)
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quote:
The young amateur guy in Andalucia will be worried about getting his few falsetas practised right for supporting an amateur singer in next Friday night's local peña... While lots of other "extranjero" guitarists the world over are sitting in their bedrooms, listening to CDs, writing tabs and trying to "advance" the form. Ron, to quote PDL himself: "There are many opinions about so-called “new flamenco,“ which includes things such as pop-flamenco, flamenco-rock, and flamenco-jazz. This is all bulls**t! The only evolution of the flamenco comes from inside the traditional flamenco guitar players and singers and dancers, and not from somebody who comes from another world. You know, yesterday someone was a rock player, and today he wants to be flamenco, so he makes a “new flamenco.” Many of these guys with their rock-star hairstyles and clothing are mostly just bluffs. That’s okay, and I accept what they are trying to do, but to make myself perfectly clear: I tell you that to create a new flamenco, you have to begin as a flamenco." So there you have it! Jb
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¡Si esto no está en compas, esto no es el Flamenco!
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REPORT THIS POST AS INAPPROPRIATE |
Date Apr. 14 2007 21:13:11
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