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RE: Flamenco--A Modest Proposal
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Ricardo
Posts: 14861
Joined: Dec. 14 2004
From: Washington DC
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RE: Flamenco--A Modest Proposal (in reply to Florian)
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quote:
ORIGINAL: Florian quote:
Youve gone 180 degrees on what you said earlier lol I know...but not really..that was the simple quick, black and white way of defining it..the eazy way....I fought really hard to remain there lol this is the complicated, unclear, grey areas...the deeper you look in the more complicated it gets...the harder to explain the harder to define.. do you think flamenco exists only in the form or in the artist playing it ? does the artist bring flamenco to the form or does the form give the Artist flamenco ? if that was the case everyones buleria should have the same amount of aire..and Moraito wouldnt be Moraito its the very reason i didnt think that going deep into it would clear anything up for anyone.. We all draw our own lines. For me, it is about context. To quote music that is not flamenco, but in a bulerias during juerga between letras, that is flamenco to me. The way it is done, not the notes themselves or the artist doing it or who composed it. Another example, paco and mclaughlin's Chiquito. Clear fusion, flamenco with "jazz" or a certain type of jazz. But he plays the same melodies as a "falseta" for Joaquin Grilo's baile por Alegria. In that context it becomes flamenco, but it was not before in the other context, to ME. Again, that is just me. Agujetas would say neither example is flamenco, but that is HIM. Ricardo
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 5 2009 6:19:49
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Ricardo
Posts: 14861
Joined: Dec. 14 2004
From: Washington DC
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RE: Flamenco--A Modest Proposal (in reply to Florian)
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Just to be clear I would not say that to define something as "flamenco" you need the artist, and likewise, I would not say ANYTHING a true flamenco artist does is flamenco. For example, in Rito y Geografia Chocolate demoed some spanish pop tune, with a different voice, to show he liked other music and could sing other ways. But that is not flamenco for sure. Now if you have an orchestra play the melody of solea, the cante i mean, say Solea de Alcala, well, even though those are not flamenco artists playing it, the melody is what it is. It IS a Solea, and solea IS flamenco. You have an orchestra interpreting flamenco, pretty clear. About other palos, like I said earlier, I put Villancico and Rumba in a different category than other flamenco palos, but that is just me. I think when you have song forms that are done by NONE flamenco artists, they dont' necessarily need to be defined as flamenco, just because most flamenco's interpret them. Like Sevillanas also, we had that debate before. I always try to put it in perspective for folks with the example of jazz and blues. Every jazz musician knows and plays the blues. But the blues, as a song form, is not necessarily jazz music. Blues players are not jazz musicians necessarily. Same deal with many forms interpreted by flamenco artists, including rumba sevillanas, even fandango. So blues is clear. But what makes a jazz artist "jazz"? Well, you have to know the standards and play them in a jazz way. There are many styles of interpretation, but when you play a jazz standard, thats it you are playing jazz. Likewise, there are no interpretors of TRUE and good solea, siguiryas, or bulerias, that are not flamencos (an orchestra would not be a true interpretor in other words). Beyond that, taste and understanding will draw the line for each individual. Ricardo
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 5 2009 6:48:38
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