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carlos saura's flamenco
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Miguel de Maria
Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ
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carlos saura's flamenco
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Just watched Flamenco for the 2nd time, after about 3 years, last night. I had remembered it as being pretty easy to watch, thought maybe it would be a good way to introduce certain aspects of flamenco to my wife. Ooops! That thing is 75% cante... she fell asleep and that's a good thing. I enjoyed it very much, although it's a little shocking to see these cantaors spilling it all on the stage when you've been away from Spain for almost a year. These guys got some pipes. I'm a little suspicious, though, how these guys can go at it full tilt and not sing a bit off key. Did they use some pitch correction, perhaps? If not, very impressive indeed. Another thing that really stuck out at me was just how good of a guitar player Manolo Sanlucar is. He flies over the fingerboard and his left hand looks to be using about as much pressure as if he were using a slide. Effortless playing! And so smooth and clean. Makes me feel like some kind of gorilla when I play. And is it just me, or is Paco really cool? Would I think he were as cool if he were not the Godfather? He just looks good when he plays. Except the fakey parts where they told him to smile at his brother and act like he's having fun. I met Chocolate last year and he looks a lot older. I also met Jose Menese last summer and he does too. But that piece he sang in the movie was great.
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REPORT THIS POST AS INAPPROPRIATE |
Date Mar. 26 2004 14:26:21
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Guest
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RE: carlos saura's flamenco (in reply to Miguel de Maria)
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Sauras flamenco is a wonderfull film, and I agree that Sanlucar has got a very effortless tecnique. I´m a huge fan of Sanlucar, and still think that Tauromagia is one of the best flamenco titles ever.
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REPORT THIS POST AS INAPPROPRIATE |
Date Mar. 26 2004 20:33:18
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Tenshu
Posts: 150
Joined: Oct. 18 2003
From: Belgium
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RE: carlos saura's flamenco (in reply to Ron.M)
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Oh, man, Ron, I hear you... Barullo singing an amazing copla... No me hagas desprecio gitana que yo soy Santo y bueno gitana yo me voy con mi madre gitana nada más que quieres dinero gitana ya no me voy contigo gitana The girl takes her place to return to her seat. The first dancer, already seated, fills in two beats with his upper body in some sort of spasm(in compas!). And when she returns, every single man/woman present returns with her. Take another look at that buleria, but instead of looking at the protagonist, take a look at the guys in the background. It's like they're one entity, one organism... Damnit, just TYPING about it gives me shivers.
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-T
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REPORT THIS POST AS INAPPROPRIATE |
Date Mar. 27 2004 14:06:28
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