Eduardo Rebollar

Costs are rising and times are tough.
Please consider a donation to keep this
place going.

Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.

Update cookies preferences

Eduardo Rebollar

You are logged in as Guest

Users viewing this topic: none

Printable Version

All Forums >>Discussions >>General >>

Page: [1]

Message

<< Newer Topic Older Topic >>

zata

Posts: 659
Joined: Jul. 17 2003

Eduardo Rebollar

This guitarist gave a very interesting interview which just went up in English at:

http://www.deflamenco.com/indexi.jsp

He's outspoken about the tradition vs. fusion issue, defends both Antonio
Mairena and Pepe Marchena, and has clear ideas about how to learn cante
accompaniment.

Estela 'Zata'

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 1 2003 9:11:46

eslastra

Posts: 134
Joined: Jul. 12 2003
From: Livermore, CA USA

RE: Eduardo Rebollar (in reply to zata)

Estela,

Thanks for sharing that article. If I had known sooner, I would have tried to enroll in his cante accompaniment class in Los Angeles this week.

Sounds like he's got a good method for it.

_____________________________

Eddie Lastra

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 1 2003 9:27:24

Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: Eduardo Rebollar (in reply to zata)

Great, Zata,
Eduardo was my favorite teacher at the Fundacion this summer. It's nice to hear him talk... he is an outstanding teacher of cante. Many of the other students had tried to learn cante before, and remarked at how he was the only one who could really explain to them how it worked, not just tell them, "do like I'm doing." Not that he could tell you what beat of the compas it was without difficulty! He and the other teachers told me what I needed to do was start playing with dancers, ASAP! When he was showing me a tangos strum, he had me hold down the left hand and he did the rasgeuo with his right, and I was having problems holding on!

He is a magnificient performer, although not a virtuoso-type player, and when I saw him in the Caves at Nerja (where I snuck in pretending to be a caterer!--but that's another story) his presence completely overshadowed that of Enrique Melchor. His love of cante and the incredible, almost childish amount of fun he has playing come out well on stage. And he's a real nice guy.

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 1 2003 15:30:47