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The picado bible!
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Ricardo
Posts: 13949
Joined: Dec. 14 2004
From: Washington DC

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RE: The picado bible! (in reply to John O.)
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I am not sure I buy that comment Paco made about his picado being the easiest technique. I mean I read his remark too, I am just saying, I never saw him mess up with rasgueados, or tremolo, or arpeggio that I can think of. Maybe he missed a note in pulgar once or twice, usually alzapua is on. But I have video proof and remember seeing him in concert missing notes in the picado, dozens of times. If it is so easy, why would we notice those mistakes? The reason is, IT IS NOT EASY, IT IS DAMN HARD! Perhaps he means there is not much special coordination in the technique like there is with the others. But the thing is, to simply drive your fingers into the string and alternate, it is hard to keep up the stamina or whatever. Like it is easy to run vs dance, but how fast and how long can you run vs dancing all night? Ricardo
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Date Apr. 7 2006 15:45:01
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Miguel de Maria
Posts: 3529
Joined: Oct. 20 2003
From: Phoenix, AZ

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RE: The picado bible! (in reply to Ricardo)
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quote:
ORIGINAL: Ricardo The reason is, IT IS NOT EASY, IT IS DAMN HARD! Ricardo I agree, I think it is hard, but I just wonder what the coincidence is that Paco, Grisha, and Todd all made a point to say that it was an easy technique (hope I am not misquoting anyone). You know me, trying to put things together theoretically--what is the overarching reason that they would think it is easy? Is it a matter of posture (haha!), or something about their approach that can be copied? But still the more I think about it, the harder it seems. I have seen Paco fluff notes, and let's be honest, if you see a "semi-virtuoso" in concert, how often can he pull off a long, hard, fast run completely clean? I don't know if I have ever seen a non-pick player do it! What other technique requires such repeated precision, coordination, and stamina...?
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Date Apr. 7 2006 15:56:31
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Ron.M
Posts: 7051
Joined: Jul. 7 2003
From: Scotland

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RE: The picado bible! (in reply to John O.)
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As you all know, I'm not a fast picado merchant, but here's some of my thoughts on this.. For a start, I think a lot of you give yourselves a very hard time over your picado playing. From the uploads I hear, the picado is usually around at the same standard as the rest of the playing. Not so unusual if you think about it.. huh? Paco and the rest of the lightning picado players have fantastic picado precision and speed ...but ALL their other techniques are at virtuoso level too. I have never heard any Flamenco guitarist play fantastic lightning picado but mediocre rasgueado, alzapua, rhythm or compás. So I don't think you should compare that one single technique alone to the standards of the greats and then give yourself a hard time because you can't approach that yet. Some other speculation here... Kids don't tend to analyze so much as adults, but just do what they are told. A lot of the great fast picado players seem to have been pretty fast in their teens as well. Could this be because they didn't "experiment" with different positions etc but simply practised what they were told, whether it felt awkward or not? Especially if they had a strict teacher, say like Paco's dad? So after time it didn't feel awkward anymore, it felt natural. That is, 10 years of practicing picado exactly the same way maybe gives better results than 10 years practicising, but "modifying" attack angles, hand positions, finger movements every six months? Just a thought. cheers Ron
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Date Apr. 8 2006 11:44:13
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XXX
Posts: 4400
Joined: Apr. 14 2005

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RE: The picado bible! (in reply to Miguel de Maria)
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quote:
Could this be because they didn't "experiment" with different positions etc but simply practised what they were told, whether it felt awkward or not? Ron I also thought about that one, how it could be having started guitar early as child and stuff. Well first, there is simple biology! You learn faster, because the regeneration of neuron cells is much faster. That is one big point, and every child has this ability, if its not ill. Another thing is, children are better able to copy things. They watch someone doing something and are better able to adapt their own actions to it. It seems to work. But if it doesnt, why should someone *not* experiment? Experimenting is just the way to find the best solution by checking out all possibilities. And without trying you wont know if something is better or not. quote:
I have never heard any Flamenco guitarist play fantastic lightning picado but mediocre rasgueado, alzapua, rhythm or compás. I think this is just because somebody who wanna play seriously flamenco he or she will be motivated enough to learn that things, coz their very fundamental. If I practice my whole life long only picado, then I will only be able to play picado, thats it. The same goes for my tremolo; Ive never done any practice, and so does my tremolo sound (but I will start it... sometime)
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Date Apr. 8 2006 12:13:09
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