Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
|
A good video for learning bulerias accompaniment
|
You are logged in as Guest
|
|
Users viewing this topic: none
|
|
Login  | |
|
   
rodrigo68
Posts: 23
Joined: Aug. 9 2012
|
 RE: A good video for learning buleri... (in reply to Dudnote)
|
|
|
todo lo que me pidas,yo te lo darè,
si me pides olvidarte te lo negarè.
Hay¡ tu le estas pidiendo a dios,
hay¡ tu le estas pidiendo a dios
que mi madre se muriera,ya mi madre se muriò
ya no hay quien te quiera,que menos te voy a querer yo.
que quieres de mì,que quieres de mì
si hasta el agua en que yo me mojo
te la tengo que pedir.
Duèrmete Juanito mìo,de mis entrañas
que eres lo mas bonito que vi en España.
Duèrmete gitanito que vienen soles
que te voy a hacer una cunita de caracoles.
llegare eeeee-aaaaaa
mi niño si tù duermes
dormido se queda.
Hay¡vàlgame dios,hay¡vàlgame dios
que alegrìa tienes que fascinaciòn
ley,lo lo ley lo lay,lo lo ley lo lay,
|
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 7 2015 0:15:33
 |
|
Dudnote
Posts: 1805
Joined: Nov. 13 2007
|
|
RE: A good video for learning buleri... (in reply to Dudnote)
|
|
|
Here's an attempt to translate using google and some complete guess work where google got confused. How did I do?
Everything you ask me , I will give you,
if you ask me forget you deny it .
Hay¡ you're asking God ,
hay¡ you're asking God
my mother died, and my mother died
there is no one who loves you , unless I 'm going to love you.
you want me, you want from me
if the water until I get wet
I have the will to ask.
My Duermete Juanito, of my body
you are the most beautiful that I saw in Spain .
Duermete gitanito who comes alone
I 'll make you a cradle of snails.
cometh eeeee - aaaaaa
my child if you sleep
He falls asleep .
Hay¡ vàlgame god, hay¡ vàlgame god
That joy has such fascination
ley,lo lo ley lo lay,lo lo ley lo lay,
_____________________________
Ay compañerita de mi alma
tú ahora no me conoces.
|
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 7 2015 0:43:48
|
|
Dudnote
Posts: 1805
Joined: Nov. 13 2007
|
|
RE: A good video for learning buleri... (in reply to ramon roman)
|
|
|
Ra Ra Ra! Great question - you actually got me studying cante accomp instead of noodling about aimlessly like I usually do.
Here's a jpg copy from a pdf scan of some scrappy paper notes. The pdf is slightly clearer, send me a PM if you'd like that too.
You'll see, I don't know what to call chords half the time. I started calling one Gm7+g# and then decided it was really better off as B♭7. Then there is the one used a lot when singers go high, I always used to think of it as Dm even though there is a #5, but it's Dm in the sense that it often starts a cadence to A, but when you look at it it is only B♭ played on just the top 4 string, can't say which is "right", but I call it B♭(2) here.
When different voicings of the same chord are used I use (1) (2) and (3) to point to the "chord diagrams" at the top. If I just write C7 it will be C7(1). Actually, that chord is really C7+2 or C7+d, but no one writes that every time do they?
The move when he goes C7(2) -> F7 (perhaps it has a fancy name) I remember Ricardo has a video somewhere where he discusses that and how Manuel Morao would do the chords in the opposite order followed by a half compas thing.
For the outro you have a cycle of 4ths which is very common as an outro, except the first time he plays it he does a chromatic variation which was a new one for me. The second time he plays it it's more standard.
I don't know what you call it when a chord or part of a chord is held and one note is placed on-off-on-off-on-off for effect. It must have a name, it's the epitome of classy accomp playing. I tried to write out some of the on-offs as +c -c +c -c, but gave up and started using ±c as a shorthand instead.
Hope that helps. It certainly helped me!! 
My aim in life now is to be able to copy Miguel Salado's facial expressions when I play guitar, or write and email, or trip over the cat, or take a dump, or.... or... or... He is the Guitar Buddha!
Talking of which, anyone know what happened to our GuitarBuddha?
 Attachment (1)
_____________________________
Ay compañerita de mi alma
tú ahora no me conoces.
|
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 10 2015 4:21:51
|
|
Ricardo
Posts: 15151
Joined: Dec. 14 2004
From: Washington DC
|
|
RE: A good video for learning buleri... (in reply to Dudnote)
|
|
|
quote:
ORIGINAL: Dudnote
Ra Ra Ra! Great question - you actually got me studying cante accomp instead of noodling about aimlessly like I usually do.
Here's a jpg copy from a pdf scan of some scrappy paper notes. The pdf is slightly clearer, send me a PM if you'd like that too.
You'll see, I don't know what to call chords half the time. I started calling one Gm7+g# and then decided it was really better off as B♭7. Then there is the one used a lot when singers go high, I always used to think of it as Dm even though there is a #5, but it's Dm in the sense that it often starts a cadence to A, but when you look at it it is only B♭ played on just the top 4 string, can't say which is "right", but I call it B♭(2) here.
When different voicings of the same chord are used I use (1) (2) and (3) to point to the "chord diagrams" at the top. If I just write C7 it will be C7(1). Actually, that chord is really C7+2 or C7+d, but no one writes that every time do they?
The move when he goes C7(2) -> F7 (perhaps it has a fancy name) I remember Ricardo has a video somewhere where he discusses that and how Manuel Morao would do the chords in the opposite order followed by a half compas thing.
For the outro you have a cycle of 4ths which is very common as an outro, except the first time he plays it he does a chromatic variation which was a new one for me. The second time he plays it it's more standard.
I don't know what you call it when a chord or part of a chord is held and one note is placed on-off-on-off-on-off for effect. It must have a name, it's the epitome of classy accomp playing. I tried to write out some of the on-offs as +c -c +c -c, but gave up and started using ±c as a shorthand instead.
Hope that helps. It certainly helped me!!
My aim in life now is to be able to copy Miguel Salado's facial expressions when I play guitar, or write and email, or trip over the cat, or take a dump, or.... or... or... He is the Guitar Buddha!
Talking of which, anyone know what happened to our GuitarBuddha?
Would do you some good to take a music theory class to clear up your terminology ... Sort of mixing up enharmonics, symbols/concepts of chord construction and numbers there. The video is good because it is slow. Guitarist I know from Gerardo's curso in sanlucar. The Letras are all pretty much Camaron/la Perla standards .... Not the most orthodox thing to learn first as new accompanist ... In case of new comers to this topic we already have a great cante accompaniment thread with more useful materials
_____________________________
CD's and transcriptions available here:
www.ricardomarlow.com
|
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Aug. 10 2015 16:02:16
|
|
 New Messages |
 No New Messages |
 Hot Topic w/ New Messages |
 Hot Topic w/o New Messages |
 Locked w/ New Messages |
 Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.0625 secs.
|
Printable Version
