Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
The Tremolo Technique: A Historical Reference
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|

dformell
Posts: 126
Joined: Nov. 7 2010

|
The Tremolo Technique: A Historical ...
|
|
|
It's been said throughout the years that the 5 note tremolo is a "flamenco tremolo" and the 4 note tremolo a "classical tremolo". While it's true that today most flamenco players do in fact use the 5 note tremolo and classical players the 4 note, this was not always the case. In Juan Serrano's book, Falsetas De Mi Padre, Juan's father, Antonio El Del Lunar, uses the 4 note tremolo only. The great Spanish guitarist Vicente Gomez played the 4 note tremolo in his flamenco arrangements. Probably the best source of reference - for the historical evolution of the tremolo technique - is Rafael Marin's flamenco method from 1902. Below is a copy of a page, with right hand exercises, from Mr. Marin's monumental work. Observe exercises 69 - 72, it seems that 110 years ago the tremolo technique was rather well developed indeed. It should also be noted that Rafael Marin played both flamenco and classical. And, while we are on the subject, Mr. Marin's guitar, though looking like a "flamenco guitar" with it's friction pegs, had a rosewood body. A "flamenca negra"?
Images are resized automatically to a maximum width of 800px
Attachment (1)
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 30 2012 16:49:57
 |
|

britguy
Posts: 712
Joined: Dec. 26 2010
From: Ontario, Canada

|
RE: The Tremolo Technique: A Histori... (in reply to Ramon Amira)
|
|
|
quote:
Perico del Lunar was not Juan Serrano's father. Perico el del Lunar's 'real' name was Pedro del Valle, born in Jerez in (I beleive) in 1894? Interestingly, he was a payo, not gitano. By present-day standards his playing technique would probably be considered somewhat primitive (but still very poweerfull!). But in his day he was probably one of the most knowledgeable authorities on the earlier and more traditional forms of Flamenco. He was responsible for compiling the celebrated work; "An Anthology of Cante Flamenco" , the three-LP disc series covering all 33 cantes, produced back in the 1950's (?). ( I still have my original set of three vynil LP's complete with the booklet of words, valuable sleeve notes, etc. I may leave it to the Foro in my will. . . )
_____________________________
Fruit farmer, Ontario, Canada
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 30 2012 22:46:09
 |
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.0625 secs.
|