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becoming a teacher
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fevictor
Posts: 377
Joined: Nov. 22 2005
From: Quepos / Manuel Antonio, Costa Rica
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becoming a teacher
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Hi everybody, I live in a small town in Central America and nobody here has the slightest idea what Flamenco is. Its also a tourist town and the low season is just around the corner which, financially speaking, is a very bad time of the year. Now Im just beginner still, but obviously there are things that I can show somebody about Flamenco guitar and the music in general. So long story short, Ive started advertising guitar lessons and had my first student yesterday. My aim is more towards rumbas, since I know thar more people will want to learn that style, but we will see how things go. So I guess Im wondering if anybody has any advice for me. I know that the whole "am I good enough to teach" thing has been discussed before, and I must admit that I do think about that, but I have a lot of patience and enjoy teaching...so what the hell! Any thoughts?? Thanks in advance. Vic
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Date May 1 2010 14:31:03
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fevictor
Posts: 377
Joined: Nov. 22 2005
From: Quepos / Manuel Antonio, Costa Rica
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RE: becoming a teacher (in reply to fevictor)
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Thanks for the input guys. I had a student the other day and one coming later on. Both have never touched a guitar before, so that makes things quite easier. Im going to be making up my own study sheets with tabbed chords and such. As far as the flamenco part of it is concerned, I agree with Stu in the fact that I personally had no idea what I wanted out of flamenco; I just wanted to make those funky sounds! And i seriuously thought that it wouldnt be too difficult...boy was I wrong! I think that ethically speaking I can offer beginner classes with the idea that I am a beginner myself. I mean, just with technique: Alzapua, tremolo, arrpegios, picado, rasgeos, thumb work, etc., and a few excersises for each one makes for a good half a dozen lessons I think. maybe less, I dont know, but then on top of that start throwing in some falsetas and different palos. I think I can morally stand to give a good dozen lessons, minimum, no problem. Now if a young PDL shows up at my doorstep, trust me in saying that Ill give the money back an ask him to take me under his wing! By the way, Im only charging $10 per hour. This is the going rate here and some have even said its a bit expensive. But otherwise they would have to drive 3 hours to the capital to find another flamenco teacher. Vic
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Date May 2 2010 9:29:21
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fevictor
Posts: 377
Joined: Nov. 22 2005
From: Quepos / Manuel Antonio, Costa Rica
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RE: becoming a teacher (in reply to fevictor)
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So in teaching "general guitar", I have been looking online at some course outlines and Im trying to figure out the best way to go about this. I have another absolute beginner tomorrow. Whats the best approach for first timers? I have started by giving some basic description of the guitar, string notes and numbers, correct position to hold the guitar, then learning the basic chords: A, Am, B7, C, D, Dm, D7, E, Em, F, G, G7. I have then shown some basic up and down strumming and focusing on the 1234 count so that they get that down from the get go. Now, Im not too sure if i should go into major scales and how chords are made and that kind of stuff, or maybe go right into right hand techniques like arpegios and picado. What is a typical format that you guys use? I would like to make the that the students get their moneys worth! Thanks in advance for any help you can give me. Vic
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Date May 3 2010 18:38:45
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NormanKliman
Posts: 1143
Joined: Sep. 1 2007
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RE: becoming a teacher (in reply to Argaith)
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You're describing an ideal teacher, of course that's right. I'm just pointing out that a natural, someone who's been doing it since they were small, may be able to teach a few things as well. A student will get better results from someone who knows how to present things, as you say, but a pro guitarist might have more developed playing skills than a teacher, and would be able to explain (or at least show) some things that the teacher couldn't do. In any case, I'm not disagreeing with you. In relation to the thread, if there aren't any teachers in your area, and if you tell students that you're a beginner, it's not like you're going to be deceiving anyone. Let them hear you play before you agree on the classes.
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Be here now.
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Date May 5 2010 3:07:44
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Andy Culpepper
Posts: 3032
Joined: Mar. 30 2009
From: NY, USA
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RE: becoming a teacher (in reply to NormanKliman)
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I had a "bad" teacher. He would show me something, I would learn it, I'd come in the next week and he'd say "no, no, no" you're doing it all wrong, and he would have changed the falseta on me!! and he would claim that it was how it was before. lol. He would refuse teach me certain techniques etc. However the inspiration and education that I got from watching him play was invaluable, because he was an incredible artist. that teaching style is certainly not for everybody, and for my students I gladly write out tab, take it slow, use patience and encouragment, adapt to their learning style blah blah blah. But I know I'm not as good a teacher as my teacher even though he broke every rule in the book. lol That's just me.
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Andy Culpepper, luthier http://www.andyculpepper.com
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Date May 5 2010 4:42:37
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Ricardo
Posts: 15164
Joined: Dec. 14 2004
From: Washington DC
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RE: becoming a teacher (in reply to fevictor)
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My ideas sometimes go against the norm. Well often they do actually. Anyway, I remember the movie "The Karate Kid" and the message there was the reason the bully kids had gone astray was because of their teacher teaching them bad things or the "wrong" way. "no such thing as bad student...only bad teacher". A similar message there in Star Wars with the whole dark side problem. Ok, so over the years I have come to develop the exact opposite opinion. My reasoning is that a bad student can not learn, no matter how good the teacher is or tries. A bad student is one who is either closed, doesn't really care, distracted, looking for something they THINK they NEED to learn, or thinks he or she knows something about it already and is not willing to take in contradicting info. But a GOOD student is able to process info given, good or "bad" and extract what is needed and disregard that which is not. Even if a teacher is condescending, mean, or not willing to show things, a good student can still get something they may need from that person. Good student doesn't need it all on a silver platter, or mapped out perfectly. A good student should realize if a teacher is making him or her go only ONE route, that all others are wrong and other teachers no good etc, well, they should have the presence of mind to realize that is not true and the world does not work that way, while at the same time not totally giving up on what this teacher has to offer. For me, one of the best teachers I have ever had was Paco de Lucia. And no formal lesson, just from watching his videos and live shows. All the technique details, musicality, accompanying, improvising, performing, composing etc etc, is RIGHT THERE. And then interviews fill in some gaps and questions. Of course it is not the same as having a one on one lesson with a live person, but anyway, my point is we have to be good students in order to learn anything. That's way there is not one teacher or method who has a studio where EVERY student is a maestro. Ricardo
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CD's and transcriptions available here: www.ricardomarlow.com
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Date May 5 2010 6:58:19
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