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RE: Una mas--Blanca Flamenco Tsiorba... (in reply to Peter Tsiorba)
I tried something new for me, using mastic to hold the boxwood/veneer pieces in the field of burnt umber mixed with hide glue. I ruined one to by trying to bind the clay pigment with epoxy, but for some reason, the stuff reacted strangely with the clay, and the epoxy never hardened. I ended-up braking and burning the top in the wood stove.
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Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco
RE: Una mas--Blanca Flamenco Tsiorba... (in reply to Peter Tsiorba)
Fantastic photo gallery on your website, Peter, I loved the angles and details you captured. Your guitars are truly exquisite. Interesting choice of woods for the fretboards, including “maple" (?) and those ruby rosewoods, along with many other elements. The rosette on this guitar is also a masterpiece.
I am quite impressed by such, until now unknown to me, remarkable exhibition of artistic talent.