Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva, Tom Blackshear and Sean O'Brien who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
A question for those who regularly play with drop D tunings and such, maybe also change the tuning on stage... is there anything that helps the guitar to keep tuning? Especialy my bass E string tends to go higher and higher after i tuned it to D. So far i have two things in my mind that could help... - only play with used strings - tune the E string a bit lower than D, coz it always WILL move up above D otherwise
Maybe there is a special tie?
Btw. its about Tomatitos Tangos, so its not a libre palo where you can make a pause in the middle of the piece, smoke a cigarette and continue playing after you re-tuned your guitar.
As an example, let's say you want to tune the sixth string down to "D" and keep it there. Here is what you do. On most nylon-string guitars it takes about three half-turns of the tuning machine knob (or key) to tune the sixth string down to "D" (a half-turn is a 180 degree rotation of the knob). To "trick" the string's "memory," turn the tuning knob six half-turns down instead of three. That takes the string way past its destination of "D." Let it sit for about five seconds. Then turn the knob back up three half-turns which brings it approximately back to "D." That's all there is to it. Those three extra turns, going down past your destination note and then back up, help "set" or stabilize the string at its new pitch. It will still creep up a little bit, but very little. In his excellent book, Tuning the Guitar by Ear (published by Mel Bay Publications), Gerald Klickstein recommends tuning down nine turns and up six. Experiment and see what works for you.
Then, to tune the sixth string back up to "E" after playing in dropped-D tuning, turn the tuning knob up six half-turns. Again, this takes you way past your destination pitch of "E." Let it sit about five seconds. Then turn the tuning knob back down three half-turns which brings it back approximately to "E." Once again, those three extra turns that take you up past your destination note help restore the string's "memory" so it stabilizes back on "E" with very little string drift afterward.
RE: Playing with altered tuning (in reply to ToddK)
Rondeña is actually a cante form similar to Verdiales and is accompanied in standard tuning.
Ramon Montoya created his own libre guitar solo called Rondeña and did it with the tuning of 6th to D and 3rd to F#. It has become common these days and that is the tuning we are talking about in regards to the solo guitar Rondeña. Oddly enough, it is a tuning that was used for the lute centuries ago, although everything was up a minor third so that the D was an F. I used to use a capo on 3 playing Renaissance music on the guitar when using the tuning because it sounded lighter and more characteristic of the lute.
When people are refering to a tuning of Rondeña, this is the one they are refering to.
RE: Playing with altered tuning (in reply to JasonMcGuire)
quote:
ORIGINAL: JasonMcGuire Rondeña is actually a cante form similar to Verdiales and is accompanied in standard tuning.
Thats interesting cause 99% of the Rondenas i hear are solo guitar. Maybe it all changed due to Montoya and Paco?
Anthony thanks, thats useful! Im not sure i will have the guts to "Let the string sit for about five seconds" on stage, though Tomatitos Tangos is in D, tuning: 1st D 2nd Bb 6th D. Im still searching for a way, to get more friction between the strings and the guitar.
Why cant we have a guitar that has an electronic machine head, which turns the strings automatically to a tuning you choose? Also it could detect and adjust the tuning meanwhile you play. Anders, what do you think?
Why cant we have a guitar that has an electronic machine head, which turns the strings automatically to a tuning you choose? Also it could detect and adjust the tuning meanwhile you play. Anders, what do you think?
Hi Deniz,
This would certainly be feasible with today's miniature servo feedback systems as used in hundreds of products from dvd players to cameras etc... but I think a lot of players would feel their guitar to be kinda "violated" somehow.
RE: Playing with altered tuning (in reply to Ron.M)
Thanks, Jason! Its always funny for me to hear Verdiales, because that strumming sounds to me like an out-of-rythm Sevillanas Do others feel the same?
quote:
ORIGINAL: Ron.M but I think a lot of players would feel their guitar to be kinda "violated" somehow.
Yes thats true. But maybe it will eventually come, we dont know. I mean, its being discussed to design cars that drive automatically... The electronics for the guitar would have to be non-visible and non-hearable. I think then many people could live with the idea, that the machine head is not entirely made of wood
Denis, "Why cant we have a guitar that has an electronic machine head, which turns the strings automatically to a tuning you choose? Also it could detect and adjust the tuning meanwhile you play. Anders, what do you think?"
Gibson already came out with a self-tuning guitar called "Robot guitar". It looks like a standard Les Paul but it can tune itself to standard tuning and can tune to non-standard tunings like Drop D and Open G.