Sabicas—Falseta from Bulería «Con un clavel»

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Paul Magnussen

Posts: 1812
Joined: Nov. 8 2010
From: London (living in the Bay Area)

Sabicas—Falseta from Bulería «Co...

Attached, per discussion below. I’ve written it starting on 1.

http://www.foroflamenco.com/tm.asp?m=198643&appid=&p=1&mpage=1&key=&tmode=1&smode=1&s=#199076

Attachment (1)

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REPORT THIS POST AS INAPPROPRIATE | Date May 7 2012 20:04:09

TANúñez

Posts: 2559
Joined: Jul. 10 2003
From: TEXAS

RE: Sabicas—Falseta from Bulería ... (in reply to Paul Magnussen)

Thanks Paul!

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Tom Núñez
www.instagram.com/tanunezguitars

REPORT THIS POST AS INAPPROPRIATE | Date May 7 2012 22:28:55

Ricardo

Posts: 15725
Joined: Dec. 14 2004
From: Washington DC

RE: Sabicas—Falseta from Bulería ... (in reply to Paul Magnussen)

quote:

ORIGINAL: Paul Magnussen

Attached, per discussion below. I’ve written it starting on 1.

http://www.foroflamenco.com/tm.asp?m=198643&appid=&p=1&mpage=1&key=&tmode=1&smode=1&s=#199076

Actually what he did was remove a measure of music, not add strum. Measure 2 should be inserted between his measure 5 and 6 to have exact as sabicas. By removing the measure it all works, but personally would argue AGAINST the entire falseta being phrased this way. Why? Because buleria has more then one underlying feel, but for sure one could be "crossed" and really missing the bigger picture.

My personal feeling is that this falseta starts on 10. There for sure are some sabicas falsetas that start on 1, but if you are tapping you foot 12,2,4,6,8,10 which for sure would work for this falseta from BEGINNING TO END....well this entire thing (including the missing measure of music) needs to start on 10 as a pick up to the 12.

The golpes he does in measure 4 have the remate feel as well (7,8,9) vs as it reads (10,11,12) at least to me. you could imagine the end of the first line doesnt repeat and he could rasgueado on count 1 to close...but it should be 10.

It is only my opinion, but often times the ins and outs of a falseta are important to study as they effect the overall feel of the phrasing. To me it is clear his only "mistake" was his starting point. I have heard him do falsetas starting on 4, and its really felt as 10 because he does a half compas before of strum. (up,tap tap, up GO!)

If you learn this falseta starting on 1 as written it totally works out, but the entire feel (up to measure 6 at least) will not be what I think was the intent.

Ricardo

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CD's and transcriptions available here:
www.ricardomarlow.com

REPORT THIS POST AS INAPPROPRIATE | Date May 8 2012 13:32:42

Paul Magnussen

Posts: 1812
Joined: Nov. 8 2010
From: London (living in the Bay Area)

RE: Sabicas—Falseta from Bulería ... (in reply to Ricardo)

quote:

Actually what he did was remove a measure of music, not add strum. Measure 2 should be inserted between his measure 5 and 6 to have exact as sabicas.

Well, that’s easy enough:

Attachment (1)

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REPORT THIS POST AS INAPPROPRIATE | Date May 8 2012 15:35:03

TANúñez

Posts: 2559
Joined: Jul. 10 2003
From: TEXAS

RE: Sabicas—Falseta from Bulería ... (in reply to Paul Magnussen)

That works even better. Thanks.

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Tom Núñez
www.instagram.com/tanunezguitars

REPORT THIS POST AS INAPPROPRIATE | Date May 8 2012 16:02:39

Ricardo

Posts: 15725
Joined: Dec. 14 2004
From: Washington DC

RE: Sabicas—Falseta from Bulería ... (in reply to Paul Magnussen)

quote:

ORIGINAL: Paul Magnussen

quote:

Actually what he did was remove a measure of music, not add strum. Measure 2 should be inserted between his measure 5 and 6 to have exact as sabicas.

Well, that’s easy enough:

cool. First note in measure 7 should be E 2nd fret D string instead of G I think, looks good to me now!

Ricardo

_____________________________

CD's and transcriptions available here:
www.ricardomarlow.com

REPORT THIS POST AS INAPPROPRIATE | Date May 9 2012 13:08:56