aaron peacock -> RE: What's up with this newfangled culture of "interpreting" others intrepretations? (Jan. 4 2021 0:49:31)
|
quote:
First there was The Professor, then Ruphus, and now may I introduce the mother of all drama queens- Capt. Peacock The valorous and always correct Capt who fights to avenge flamenco from the aggressive Rommels of the flamenco foro. So, did you watch the lecture from Faustino then? and did you decide that I'm making an invalid point as to the viscerally intuitively knowable and ultimately highly improvisable harmonic structure that flamenco is built upon? Because all i saw so far from y'all was focused on ad-hominem attacks upon me and much of the drama is contained in precisely written records above. you personally flipped out at least twice here in this thread, Stephen, and I was actually sort of seeing you as an ideological ally here initially until the group think of the forum was too strong and you decided and any taint of electronica in a portfolio of a lifes work means "throw him away"... well, I suppose I can accept disappointment. I always found Rob F quite funny, and I'm not sure why he has decided that something is wrong with me. I particularly treasure Richard Jernigan's amazing anecdotes and I've enjoyed almost every thread where he tells stories. I've seen some other folks, Like Konstantine, who only showed up here to be unkind and dismissive and join in a group attack which didn't require more "yeah, get him boss!" henchmen, but he never one time wrote a response to the musical ideas being discussed. Piwin, to his credit, has been very patient about explaining his point of view, that I don't ultimately agree with. Ricardo, I'm having reactions to your insistence upon "schooling me" or "showing me the way" when I can see in full color just fine already. I'm having this reaction to many guitar players here, as I'm seeing them confusing their technical skill with musical knowledge, which perhaps were both acquired simultaneously. Yes, I hear Guitar-like mimicry in Diego Amador, but do you hear the vocal mimicry, the blue note, in guitar playing? I'm not questioning the quitar players expertise, but if a guitar player says untrue statements that are designed to place gatekeeping activities where they don't belong, I object! But Stephen, fundamentally, if you think it productive to indicate to folks that I am someone to be dismissed, ridiculous, mad, comparable to the Devil Himself, Ruben Diaz!, that is precisely an ad-hominem attack. All y'all who fault me for getting upset at constant personal attacks and a refusal to address what I wrote in the 3 large comments prior to this one and Stephens informative post should perhaps consider this very statement. "oh bad Arão" is not the topic of this thread, actually... I'll admit, being against an an entire forum except Rasgeo77 and Chester is a bit pointless, but it's where we are at. But this crap about me being a button pusher, Ricardo, take a hike buddy. I'll post a video of me playing my bulerias if it will get you all to back off that stuff. Metallurgy? I don't think I claimed to be an expert. I think I made the point that you begin a lifetime of blacksmith learning by learning the principles of the carbon-iron temperature graph. Austentite, Martensite, Ferrite, Carbide, etc. Programming computers? I made a living at it for years, so yeah, I know a fair bit about it. Music theory? I know a fair amount, jazz classical 20th-century, etc. I studied it. It's for the purpose of communicating with musicians and composers. Sheet music, jazz "charts", tablature, all for the purpose of communication. the music itself is the primary medium. you hear music, it tells you stories. you can learn about the ways it tells you stories, but the experience of the music is the primary resource.
|
|
|
|