Ricardo -> RE: Fakemenco, that is good music? (Dec. 1 2017 20:53:06)
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quote:
I think it would be tough to get everyone to agree on a singular definition, which is why we have the fakemenco question. Perhaps a verbal definition is tough, but pointing to examples that everyone would agree with is quite easy (Caracol with Melchor, Agujetas with Moraito, terremoto with morao, Camaron with Cepero, etc) And to remind about the topic, it was "fakemenco that is GOOD music"...so a lot of argument about labeling and what is simply not good or acceptable flamenco music is moot in this discussion. Perhaps if the OP would have first made a definition, but I don't even think that was necessary, the question was clear as day to most of us. What ends up happening is out come our lists and some people reading have their sensibilities hurt do to the fact "fakemenco" has a negative connotation. For example I am guilty of putting Tarrega in the fakemenco basket...that is because I was tying to be cute and point out fakemenco is pretty old concept. Sure I am ok to remove him from the basket but the simple fact is back in that time even, the lines were blurred due the importance of Spain's most popular instrument. For sure an interesting topic of history might be "Tarrega and Flamenco".... just as the Segovia Flamenco connection which has already been an important focus by historians. The very first "flamenco" method book by Rafael Marin I would probably have to stick into the fakemenco basket honestly, and not even the "good" basket [;)][:D]
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