El Burdo -> RE: I have a preference for por arriba. (Jan. 14 2014 22:43:58)
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quote:
Am C7 F6 E7b9 now add AmM7 and it's where it wants to be. Your C7 is a revoicing of F#7alt, your F6 is a revoicing of Bm7b5 (ii), E7 is V and it resolves to Am(M7 if you like). This is an undercover 1, 6, 2, 5 (OK THIS PART IS WRONG BUT I'LL LEAVE IT IN :-) or 3, 6, 2, 5 if you think of your Am as C6) - isn't that Tengo Ritmo? - give me a break. [;)] ** [I did try your progressions, but I don't hear anything new. The #11 made it more flamenco but I still stand by what I've said. You guys say I should accept E as I. I say you confuse theory with music and can't let go. Let's leave it at that? I may come to your view and I'll let you know, but I won't accept any more patronising remarks - I'm not your student and I've been doing this too long. Anyway, FWIW that's it for me as I do actually think it's disrespectful of a musical idiom that I love and have listened to all my life. It's the music isn't it! It's been fun. Really. Leñador is the one who's right here though. ** A revoicing of I Got Rhythm as I'm sure you all know substitutes the 1, 6, 2,5 with diminished chords going up. So, Instead of |Bb, G7alt, Cm7, F7 | % | we would get | Bb, Bdim7, Cm7, C#dim7 | Dm7, Db9, Cm7, B7 |. That might be interesting to hear from a flamenco player's perspective and in the appropriate idiom.
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