Ricardo -> RE: maple or cypress (Jan. 6 2024 19:20:43)
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ORIGINAL: Echi The differences I see between cypress and maple are about dampening and weight. I agree with the observations of Ricardo: maple flamenco guitars are midway between cypress and rosewood. The problem I have with soft maple is mainly with the dampening effect (same as Pau ferro) which does something at the note transient: generally speaking it adds a kind of soft touch and slightly less presence at the beginning of the note. Yes, I noticed this too, but I only had to compare pau ferro on Hermanos Sanchis lopez, but yes that was the effect. I will say though, the effect seems more from the payer’s perspective, because the recordings come out pretty normal. Everyone wants to purchase my maple sanchis for its tone. I travel with it, to keep my Condes safe. [:D] But truth is, I agree about that soft response thing when I am playing it. The Lawson Cypress (and port orford that Estebana built, which is the same wood apparently but a different cut makes it look different) had the same issue. However, as you can see in the middle video I posted above, when I put La Bella strings (820 red) it behaves a bit more immediately. Unfortunately my Sanchis does not like those 820s, sounds really bad with them. Luthiers sound good, but the soft response remains. My only regret was recording the Live in Fresno album with Jesus Montoya…I did not know it was gonna be recorded. I was accompanying and the guitar is great for chords, but if I had known we were going to record, I would have brought my Conde out there.
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