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RE: Bulerias Falseta - Free Lesson with Tablature
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Florian
Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia
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RE: Bulerias Falseta - Free Lesson w... (in reply to JasonMcGuire)
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Great thread !! very interesting, not only the falsetas and videos but your views and tips, to me rithm and patterns is so fascinating more so than falsetas, whenever i listen to a players buleria is the rithm that grabs me or dosent, if i get past the rythm then i pay attention to the falseta if not, my attention dosent even make it as far as the falseta. When playing a falseta many can sometimes get away with sounding above theyr level/pro/spanish etc. but the rithm part speaks the truth about a player every time... if one has great rithm they can do chromatic scales as a falseta and still sound good. quote:
E(down),A(down),M(down),I(down),A(up),A(down),M(down),I(down),M(up),M(down),I(down),I(up) thank you MAESTRO gonna practice this. quote:
It is fun hanging out here with guitar players and aficionados, talking about different techniques, wild possibilites and sharing ideas. It is through these types of discussions that new things are born. I could talk about this forever, infact i wanted to a while back when i made a rythm thread back a few months ago, mibe its time to ressurect that. members could donate rithm patterns, togheder with a audio example or togheder we can just guess the patterns used by other guitarists from popular albums or find alternative fingering to getting the same effect. (ofcourse i am doing all this for selfish reasons cause i want an unlimited pool of nice rithm patterns to use for different palos (and when i say togheder i mean mostly You guys cause i am not sharing the ones i transcribed allready...they are mine )..but it might be usefull to others too)
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REPORT THIS POST AS INAPPROPRIATE |
Date Oct. 9 2007 8:54:49
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JasonMcGuire
Posts: 1141
Joined: Apr. 10 2007
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RE: Bulerias Falseta - Free Lesson w... (in reply to Florian)
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Flo, Yes, I am selling the Devoe to pay for some studio expenses..... I am building the main recording room to have a natural reverb that will be totally smokin for acoustic instruments. It will also kill for the huge rock drums sound. A well designed room doesn't need to dampened. My control room will have some treatment (RealTraps) and my vocal booth will also. A completely dead room is horrible for recording. Anechoic chambers, from my understanding (I have never been in one) make human beings very uncomfortable and they can only be in them for short periods without experiencing emotional duress. We need ambience. One of the things that is wrong with my current recording environment is that I put foam up everywhere. Big mistake. Don't do it. I have a really cool wireless system for live and a small pedalboard that has my wireless reciever,reverb,EQ and a Direct Box so that when I go to the gig, I just ask for an XLR cable and tell the engineer to set the EQ flat with no effects. My wireless transmitter is tiny (about the size of a book of matches) and it has a built in mic. I mount this inside the soundhole with velcro. This allows me to be completely isolated from other on stage noise and gives me the ability to make the monitors insanely loud if I need it. I used an RTA to analyze the EQ curve outside the guitar and matched it with the EQ in my pedalboard so it doesn't have that wierd middrange hump that occurs when you stick a mic inside. I also have a Sennheiser mic that I bought from the sound engineer that used to work for Antonio Canales. He used to stick this particualr lavalier inside El Viejin, Jesus de Rosario and Ramon Jimenez's guitars for the monitor mix because Canales wanted the monitor levels onstage incredibly loud. The wireless setup is great and having the freedom is killer. No body pack and I can easily access the mut button on the transmitter so when we do a Fin de Fiesta without mics, I can just switch it off. Recording Mics....I have a bunch. I have 2 Oktava MK 012's that were modded by Michael Joly. They blow any Nuemann KM-184 pair I have heard out of the water. I have a pair or AKG C 414 TLII mics. They are also great mics and are very versatile. I have a vintage AKG C60 tube pencil mic with the original Telefunken AC701k tube inside. That is one bad ass mic. I had another, but I had to sell it. Also a vintage AKG C 451. I have an ADK Area 51 TT Large Diaphragm tube condenser that is really great for vocals. It has also been modded. For dynamic mics I have 2 Sennhieser MD421's and 4 Shure SM57s and an SM58 as well as some no name Chinese dynamic mics that actually sound great on drums. Last but certainly not least are my 3 Naiant omni directional condensers. Preamps are a custom 4 channel tube preamp that I built myself, a Vintech Dual 1272 (neve clone) and a D.A.V. Broadhurst Gardens No.1U preamp. 2 RNC 1773 compressors and 2 modded ART Tube EQs. Blue Sky Media Desk monitors, Yamaha NS-10s. Logic Studio, ProTools LE, 2 UAD-1 cards, 3 TC Powercore Cards, a PowerMac G5 dual 2.0ghz and enough (legally purchased) native plugins to make your brain numb. I have some other stuff that I can borrow from a good friend anytime I need it, Like a BLUE Blueberry mic,SIEMENs/Telefunken V78 preamps etc..... It has taken me 10 years to collect all of this stuff and learn to use it and now that I am nearly finished with the second most important piece of gear......the room (your ears are the single most important piece of gear for an engineer), I am ready to start taking on more serious projects. Gear that I still want to get..........a Nuemann U87, a pair of Earthworks cardiod condensers, 1 or 2 Heil PR 30 mics. 2 Distressors, 4 channel Hardy preamp........this is just the top of the list. After I sell my Devoe (to finish building the room) all I will have is the Glenn Canin guitars and the Mexican Montalvo which is beat to holy crap so bad that I couldn't really sell it.
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http://www.Flamenco-Lessons.com/ http://www.CaminosFlamencos.com/ http://www.youtube.com/user/Bikhiyal http://flamenco-lessons.blogspot.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Oct. 9 2007 18:56:18
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