Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva, Tom Blackshear and Sean O'Brien who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
Posts: 4816
Joined: Aug. 9 2006
From: Iran (living in Germany)
The Yngwie Malmsteen Interview
I don't know why but this brought back so many memories and so many things I could relate to, plus even so much stuff I could carry over to flamenco and learn from as weird as that sounds
Soon after that I was inspired actually to acquire my own YJM Strat. I got to replay the first one I tried to compared and I think I was just a bit drunk when I tried it and not used to electric guitar period. I say that as the one I acquired I got used to quickly and realize the high action is a total optical illusion due to the scalloping. If you go at it aggressively a guitar like this doesn’t work…it takes a type of fineness that I had lost due to playing acoustic in a more aggressive way…so getting that more precise and delicate approach was the trick and then this guitar became a dream to play especially on the left hand with vibrato etc. that we don’t do on acoustic.
Images are resized automatically to a maximum width of 800px
Posts: 4816
Joined: Aug. 9 2006
From: Iran (living in Germany)
RE: The Yngwie Malmsteen Interview (in reply to Ricardo)
Grats! It looks fantastic. It's funny, I was inspired too by some recent stuff I watched again. First I wanted to buy a Strat too, but since meanwhile I also listen and would like to learn Jazz too, I went for this bad boy at an amazing price used. These semi hollows are so versatile, you can do Jazz, Metall, anything. And meanwhile I also like the look of them (back in the days I thought these are old grandpa guitars) and god damn, it plays like butter. Straight neck with no releaf, action below 2mm, no buzz or dead spots, nothing. Switching from flamenco to these type of guitars feels like cheating.
Now this is the fun part. Since I haven't played E-guitar for almost more than 2 decades, coming back and exploring all the new gear and stuff and what happened with technology and the quality is simply astonishing. First of all the quality of even cheap beginner guitars! This quality was unthinkable when I started. But it seems like meanwhile factories can produce top quality guitars for really low prices. And the E-guitar scene is so huge now!
Then there is the modeling technology. So my friend had bought a Valeton Gp-50. This thing costs around 120 bucks. And I was speechless, how many different amps, tube amps, effects and whatnot it can reproduce with an astonishing quality. So I also ordered one just today. You can plug this thing directly to any PA or Box. Don't even need an amp anymore. It is an all in one thing and is also battery powered. There are also different versions of it like GP200 with expression pedal etc, same tech.
Gp200
There is also an even cheaper very small pedal GP-5 which is below 80 bucks, basically the same tech and sound, but no screen and some other stuff missing.
This is pretty much the sound I want with my semi hollow, but also perfectly achievable with Strats, Teles just using the neck pickup.
However, at some point I will also buy a Strat again :)
BTW, those white spots aren't really there. It just looks like it on the photo. It is perfect condition
As for the setup, apparently the setup he uses is like 7mm from buttom of the scallop to strings. Don't know which setup you have but you also have to have the correct screws at bridge with enough length to be even be able to get that high :D
Images are resized automatically to a maximum width of 800px
Posts: 2053
Joined: Jul. 12 2004
From: San Francisco
RE: The Yngwie Malmsteen Interview (in reply to Arash)
Thanks Arash! I really enjoyed the interview. Dude is obsessed with gear! He comes off like he’s still 18 years old and wants to rock out with bombs going off in the background. I liked him. I’ve never thought about trying to play like him but he did something new and plenty of people liked it enough for him to have a career. I’ve still got my ‘75 white strat which I’ve had since it was new. I put a lot of miles on it.
Images are resized automatically to a maximum width of 800px
Posts: 16281
Joined: Dec. 14 2004
From: Washington DC
RE: The Yngwie Malmsteen Interview (in reply to RobF)
This guy (weird auto overdub to English if you open this in youtube) I concur with all his insights into the details of the YJM vs normal Strats. We can call it a “super Strat” if for the pickups alone. Kitarist has the older model with Dimarzio that he uses ever since Alcatrazz when they developed these for him. He switch to Duncan “fury” pickups in 2010 Relentless and the community of fans are divided on which are better as he basically had Duncan re create the same sounding pickups he had with little discernible difference IMO.
If you guys want I can share my deep dive into the infamous “Duck” history after realizing some discrepancies in the story after they replicated it and it’s damage as a custom shop 20K+ collector item …basically it is an “imposter” of sorts compared to what was used on the iconic Rising force and marching out albums and tours, and he seems to have obsessed over the original instrument loss and grotesque over compensated for finding a replacement to the tune of 200 or so of the same Strat (finally satisfied with the modern yJM model instead of the vintage instruments). If you guys want I mean.
Printable Version
New Messages
No New Messages
Hot Topic w/ New Messages
Hot Topic w/o New Messages
Locked w/ New Messages
Locked w/o New Messages
Post New Thread