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RE: Chording   You are logged in as Guest
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sorin popovici

 

Posts: 427
Joined: Jan. 7 2005
From: Iasi, Romania

RE: Chording (in reply to Ryan002

quote:

yes it´s my alarm call, nothing is like waking up in the moring at 06:00 by a DOO DOOT DOOO!!


I liked this one ...and they say only Flo should be a standup comediant

What's BM?

But how about my question,nobody wants to help me
  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 13:00:25
 
Ryan002

 

Posts: 173
Joined: Oct. 18 2005
From: Singapore

RE: Chording (in reply to sorin popovici

Now don't quote me Sorin, because my knowledge of music theory is as extensive as an eskimo's grasp of desert survival but...

Maybe they just sound good because they are all in the same key? I mean, if I were in C it would sound good if I came in from F, Am, Dm, E....all the chords and their variants so long as I stay in the key of C yes? I mean, if I picked something from the key of A, like Cm, it would probably sound like hell if the root is C.

(Barring modulation)
  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 15:19:03
 
Ryan002

 

Posts: 173
Joined: Oct. 18 2005
From: Singapore

RE: Chording (in reply to sorin popovici

No wait! Cm isn't in the key of A! It's C#m! Ah - ha!
  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 15:20:46
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: Chording (in reply to sorin popovici

Sorin,
I don't know, I play them with barres a lot, with the index finger. Otherwise, I just don't know. I dont' think there are any rules. Why do you feel the need to play lots of fourths?

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  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 15:21:56
 
XXX

Posts: 4400
Joined: Apr. 14 2005
 

RE: Chording (in reply to sorin popovici

quote:

ORIGINAL: sorin popovici
I have a question too ,how do the intervals resolve ?
I mean why it's normal that after I play G7 ,feels to play C?I often hear
things like "resolving chords" and I know what they mean,but I dont know
the rules about intervals ...I hope u know what I mean.


You mean the "dominant-septime chord"?
If you want the dominant septime chord of C then you play the fifth note of C, thats G. Now you take the G7 (Dominant) 7 - is a major triad with a minor 7th added, which is G with an additional minor 3rd above the perfect 5th, thats F.
Works also for Minor 7 - is a minor triad with a minor 7th added.

BM is bachelor of music I guess.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 15:57:40
 
duende

Posts: 3053
Joined: Dec. 15 2003
From: Sweden

RE: Chording (in reply to XXX

the 7th of G7 (f) goes down to e the 3rd of C
and the 3rd of G (B) goes up to the root C
thats the general rule. 7th to 3rd 3rd to root F to E B to C

or i E7 and A 7th D down to 3rd C# 3rd #g up to A (root)

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  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 2 2006 17:54:16
 
sorin popovici

 

Posts: 427
Joined: Jan. 7 2005
From: Iasi, Romania

RE: Chording (in reply to sorin popovici

thanks Henrik,now what i have to do is to take more common progressions and see the logic.
  REPORT THIS POST AS INAPPROPRIATE |  Date Feb. 3 2006 11:38:01
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