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I recently went hunting through my material for alegrias falsettas in C, and found a series of them that I like in the volume 2 of Graf-Martinez tutorial books.
Each is about 4-6 compasses long, and my concern is that they don't quite sound right back to back - yet when I stick my usual chording rhythm between them (mostly 8th/16th notes) the change of pace seems a little odd or "out of place", even if I end with a run of triplets to get back into it.
So how would you go about approaching chording breaks in between shorter melodic falsettas that are entirely in triplets?
Edit: I wish I had an audio example of what I mean, but if you are not familiar with this book/method, they are very legato tripplets with a lot of pull-on/off action - if that helps at all I am not sure.
Posts: 15725
Joined: Dec. 14 2004
From: Washington DC
RE: Alegrias chording compas between... (in reply to Kiko_Roca)
quote:
ORIGINAL: Kiko_Roca
I recently went hunting through my material for alegrias falsettas in C, and found a series of them that I like in the volume 2 of Graf-Martinez tutorial books.
Each is about 4-6 compasses long, and my concern is that they don't quite sound right back to back - yet when I stick my usual chording rhythm between them (mostly 8th/16th notes) the change of pace seems a little odd or "out of place", even if I end with a run of triplets to get back into it.
So how would you go about approaching chording breaks in between shorter melodic falsettas that are entirely in triplets?
Edit: I wish I had an audio example of what I mean, but if you are not familiar with this book/method, they are very legato tripplets with a lot of pull-on/off action - if that helps at all I am not sure.
Put some swing on the eighth notes when strumming or playing the normal compas phrase. By swing, I mean delay the up strokes a hair. . PS...change your topic title to 9/8 please!