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RE: All Flamenco chords in Tab
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Ricardo
Posts: 14873
Joined: Dec. 14 2004
From: Washington DC
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RE: All Flamenco chords in Tab (in reply to Robug)
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quote:
ORIGINAL: Robug Greetings Ricardo, I put your "A" flamenco chords into a file that shows TAB, notation, and chord fretboard fingering. I had to reduce the file greatly because this foro has very little options for files so the quality is much reduced (we can examine some other means of sharing this file, that is if people are interested). I have not completed it or proofed for mistakes yet, but you can get a general idea. If you and others here think this is of interest, I will complete the "A" chords and then proceed to include all the others you so kindly posted. This was done in Finale 2012 and the original file can actually be "played" using a free reading version from the Finale MakeMusic web page. Personally, I find notation to be of great value when used in conjunction with the TAB and chord symbols. Please let me know if you like this, or not, and make suggestions. I send you greetings from tropical Panama. Measures 3,4,5 are missing the open first string.
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 6 2015 13:56:34
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Ricardo
Posts: 14873
Joined: Dec. 14 2004
From: Washington DC
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RE: All Flamenco chords in Tab (in reply to Paul Magnussen)
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Power chords have roots and 5ths or 4th intervals only. In Vicente case above the chord is barred and Eric has it right but the note is called "sus2" instead of "9". 9 implies the chord contains the 3rd and 7th as well, which is not the case. Chords stack as such in thirds (1-3-5-7-9-11-13...if you dont' make it to 7 you don't use 9,11,13, you instead use sus2,4 or just 6...you can use "add"9 or 11 if the 3rd is present). The "sus" means the third interval (which determines the quality of a chord being major or minor) is suspended...possibly to resolve in the future with the sus note moving up (from sus2) or down (sus4) with the other two intervals holding (root and 5th). In the Vicente example, all those chords could be substituted for either major triad barre chords, or dominant 7 barres with similar musical effect in context of flamenco. Point being, the theory behind the names of the chord is arbitrary in comparison to the musical point to rematar his falseta. Doubling roots and 5th tends to make the chords "growl" nicely, hence the term "power" used in Rock. I remember as a kid learning power chords for Iron Man and such type of songs, my dad was not happy with the term "chord" as they were only "intervals" to him. A "chord" by definition must contain 3 different notes (not including octaves), so he said. I used to roll my eyes...now a days I accept that different music disciplines will have their own terminology.
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Jan. 6 2015 16:01:29
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