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"Jaleo" refers to the shouts of encouragement directed at the performers. It stems from the verb "jalear," meaning to cheer on or to encourage.
Cheers,
Bill
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And the end of the fight is a tombstone white, With the name of the late deceased, And the epitaph drear, "A fool lies here, Who tried to hustle the East."
The previous commentator is absolutely right. But the Jaleo is also a palo. I can't tell you much about it but if you go to Extremadura you'll probably find someone who can!
Bulerias extremeños is also called "jaleos". Really it is just a different melody and chords than other standard bulerias. If you see Norman's site he has one solea called "jerez anonomous" ... that is the melody of jaleos. When it comes to dance there is a different soniquete (groove) than normal bulerias. The closest example I have from a famous guitar recording is Paco de Lucia's "Almoraima"....when you here him doing scratch rhythm on muted strings, that is the jaleo soniquete, a little faster than prefered.
In the cante accomp thread there is an example of Ramon el Portugues singing jaleo and I gave an example of the jaleo soniquete and accompaniment that is typical. A few posts down:
Paco de lucia's "Ole" song has been described as jaleos instead of bulerias in some places.
He plays several of those falsetas and those of "almoraima" mixed together in "bulerias". The melodic groove part of the bass line in that piece "ole" makes a nice Jaleo feel (da da DA..... uh dada dada DA.... ), and the muted strum in Almoraima, but clearly the music is quite similar and is often mixed together. The different "soniquete" is very subtle but important.
Also I just remembered with that "ole" track he is making deliberate head nod to a piece recorded by Carmen Amaya and Sabicas. Ricardo