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Simple elegance
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Miguel de Maria
Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ
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RE: Simple elegance (in reply to Phil)
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I think it has to do with Essence vs. Ornament. You can break down the most complicated falseta in flamenco, or the most detailed measure in classical, and it will, in essence, constitute a fairly simple movement. Maybe V to I. The melody might start on a B and end on a C. What happens between the V and the I, or the B and C, could be a huge picado run, or have a big "harp" arpeggio, or involve a lot of complicated rasgueados or anything else. You might also be required to play several bass notes, or syncopations. But the Essence is almost always very simple. One way to come to terms with this is to sing what you want to play first. That will usually cause you to hone down to the essence of what you are trying to say. It is rare that you will come up with a bunch of convoluted phrasing or any "wrong" notes if you do that. Then adding ornaments, scales, additions, becomes a matter of style and experience. Without playing the essence correctly, you really have nothing. And the essence so often come to moving from V to I, B to C, and done in perfect _rhythm_. Once you can do this, then everything just builds on it. The thing is, this is not a very interesting or sexy proposition, especially to the amateur. It should be very important to you if you plan on actually entertaining or communicating with people, though.
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Date Nov. 4 2005 13:14:46
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