Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
Does anyone know of a resource which lays out the basic harmonic, rhythmic and melodic structure of any Flamenco Palos, for the purpose of improvising a performance?
By this I mean something which corresponds to the layout of a 12 bar blues or jazz standard (e.g. "I Got Rhythm" changes, or "Blue Bossa")
The number of bars, the harmonic changes, the accents (compas) - and ideally the melody from the cante section?
All the information (books, websites, online videos) I have ever seen provides detail about the stylistic techniques used (chord voicing, right hand techniques and so on) but does not lay out the underlying musical principles clearly.
I can obviously transcribe performances - but I need some information concerning the musical structure which players are using as a basis for improvising.
Posts: 1827
Joined: Jul. 26 2009
From: The land down under
RE: Palos - harmonic, rhythmic and ... (in reply to SteveGower)
quote:
Does anyone know of a resource which lays out the basic harmonic, rhythmic and melodic structure of any Flamenco Palos, for the purpose of improvising a performance?
Hi SteveGower, Welcome to the foro,
Unfortunately I don't believe that you are going to find an easy way to instantly understand flamenco forms. Nor find a single resource that will enable an improvised performance.
There are however many great resources available. Try the enquentro books and videos.
You will first need to study each palo individually. Then learn and practice the techniques used to sound like a flamenco guitarist.
You will also need to listen to, and learn the way the guitar follows the cante. And then learn examples of rhythm and falsetas for each style until you can recognize each palo.
Sounding authentic will require you to be able to replicate the fundamental, and often repeated, sections, rhythms and passages that make each palo recognizable to other flamencos. With this familiarity you will be able to answer your questions. Without understanding this, picking up a chart and following chords and a time signature will have little to do with flamenco.