Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
Posts: 2697
Joined: Jun. 7 2010
From: The South Ireland
RE: Vicente Gomez: Alegrias (in reply to dformell)
good find ..I remember talking about that particular clip not so long ago on here ....
I just had a quick listen to compare it to the music , and it is the same tune but the ending is different some bits left out here and there , and I see that they have the tremolo written as semiquavers instead of the usual quintiplets , all that tapping at the end is not there ,....
But dont get me wrong , its not a complaint ..this is great to have the music and a version of him playing it ...I dont think I would ever have his talent ....or jacket ......
RE: Vicente Gomez: Alegrias (in reply to dformell)
Thank you everybody for your comments. About Vicente Gomez and the tremolo technique, Vicente Gomez played the 4 note tremolo and his seating position was that of a classico. Mr. Gomez learned flamenco as child while working in his father's taverna. Later on he studied with Quintin Esquembre who was a pupil of Francisco Tarrega. So, Mr. Gomez was adept at both flamenco and classical guitar. Of note, historically flamenco players used both the 4 & 5 note tremolos and there was no distinction between the two, i.e. "flamenco tremolo" vs. "classical tremolo".