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Why not just save a little money and buy a proper flamenco guitar. In the long run, it will be better this way you can keep your Takamine as is for other styles of music.
I am sure this might have been discussed (I can't find the thread) Tomorrow, I am bringing my Takamine in to get it adjusted.
It is an accoustic/electric single cutaway and I am going to have the bridge lowered.
The question how low should I let the luthier lower it for flamenco.
Just to let everyone know this guitar has a trust rod
Thanks,
Kalo
As others don't mess it up. If you actually like the balance when plugged in, changing the bone or simply filing could have bad effects on the balance. You need a perfect flat contact with piezo underneath the bone and casual filing down can affect that. Just get a proper flamenco guitar when you can. Plus lowering the bone on a classical set up guitar might not do anything positive for the right hand feeling (the point of a flamenco set up) and you are left with a guitar still too high at bridge but with horrible fingerboard buzz.
Maybe just do more playing than worring about which guitar to have , Im sure a lot of stuff can be done on a Takamine ........ It works OK for Niño Rinquin.........
Great advise! Why mess with it if it's not broken...
And, El Kiko, this is the SAME model I have!!! For strict falsetta playing it is nice, but, when playing compas i.e. rhythmic stuff it is too bassy sounding and not enough midrange and terrible and attack..
Oh, well, I guess it's better than not having a guitar to play on
I sorta agree...but if you don't have the money for a flamenco but you are wanting one....?
Anyway, I filed down an old "Giorgio" Brasilian guitar and put a tap plate on it and it served me not bad for years,
Found an old practice file when I was trying to understand how you escaped the 12, 3, 6, 8, 10 kinda phrasing and "extended" the ending the way them cool guys did in Jerez.