Foro Flamenco


Posts Since Last Visit | Advanced Search | Home | Register | Login

Today's Posts | Inbox | Profile | Our Rules | Contact Admin | Log Out



Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.

This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.

We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.





beginners composing tips? anybody else?   You are logged in as Guest
Users viewing this topic: none
  Printable Version
All Forums >>Discussions >>General >> Page: [1]
Login
Message<< Newer Topic  Older Topic >>
 
gerundino63

Posts: 1743
Joined: Jul. 11 2003
From: The Netherlands

beginners composing tips? anybody else? 

Hola a todo!

The level of playing here gets higher an higher here!

So, to scare no beginners off, perhaps the BIG players around here, can contribute something for the beginners here.

I do not want to count me in on this group ( unfortunatelly )

But I have a useful trick for beginners, to start making your own falseta.

For instance a solea.
Counted in 12. mostly finished at 10, and than the tipical solea theme follows on 11 and 12.

take the measurment 1 to 10
play a note at a time, in the solea key 1-2-3-4-5-6-7-8-9-10 then the little theme on 11 and 12
sounds nice?

than add at every note one more. (I mean a different note.)
1e-2e-3e-4e-5e-6e-7e-8e-9e-10 than the theme again.
sounds a bit better, and faster, so now we make a slow picado from it

Add one more note.
1ene-2ene-3ene-4ene-5ene-6ene-7ene-8ene-9ene-10
You are starting here something!

You want it faster, something like Paco?
add one more!

1enen-2enen-3enen-4enen-5enen-6enen-7enen-8enen-9enen-10, theme again.
You have really made a fast picado falseta now!!

I upload a example in the upload TAB section for who is interested.

Do not be scared to try!
Good luck!

Peter

P.S. Anybody else a Tip?

_____________________________

  REPORT THIS POST AS INAPPROPRIATE |  Date May 9 2005 10:38:58
 
Doitsujin

Posts: 5078
Joined: Apr. 10 2005
 

RE: beginners composing tips? anybod... (in reply to gerundino63

Thats a good hint.

I will give one, too.

If you wanna compose a flamenco-falseta you have to know the flamenco-basics (classics). I dont mean sabicas and Nino.R.
Learn the old Paco de Lucia falsetas which he played with Camaron and the solo pieces from this time. When you know him you also know Nino.R. Sabicas is too unique I think.

You can use these falsetas as base for new ones. Just take a bit from there, and play another chord here.. add something. With some time you will be able to compose flamenco sounding falsetas.
When you are familar with the old stuff, learn new chords off the modern flamenco. f.e. Gerardo N. Chicuelo, D.Mendez, J.C.Romero.
And try to use play the old falsetas with the new chords. There will evolve interesting new creations very easily.
It became much easyer for me to create something, when I learned many chord variations.
  REPORT THIS POST AS INAPPROPRIATE |  Date May 9 2005 16:28:05
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: beginners composing tips? anybod... (in reply to gerundino63

Good tips,

Mine alaways happens by accident I start playing a falseta i transcribed or picked up that is someone's elses and end up changing it here and there so that it suits me a litlle more. next thing I know it ends up beeing different and my own.

I think that whenever you listen another guitarist's music if you pay close attention you can pick who influences him as a guitarist.
  REPORT THIS POST AS INAPPROPRIATE |  Date May 9 2005 16:59:51
Guest

RE: beginners composing tips? anybod... (in reply to Doitsujin

It became much easyer for me to create something, when I learned many chord variations.

his is exactly how some young flamenco guitarists described their method of composing to me. A great way to compose muzak.

Sean
  REPORT THIS POST AS INAPPROPRIATE |  Date May 9 2005 22:31:52
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: beginners composing tips? anybod... (in reply to gerundino63

One "trick" is to listen to cante and try to imitate what you heard on the guitar in some way. There are lots of different ways to do it (there are no rules) and the act of doing so makes you learn a lot.

One thing is that if you do a melody on the guitar that is something a cantaor might sing, it is my default flamenco, but there are a lot of things you can do on the guitar that dont' sound flamenco at all. By keeping cante as your base, it's hard to go wrong.
  REPORT THIS POST AS INAPPROPRIATE |  Date May 10 2005 0:42:16
 
abraham

 

Posts: 30
Joined: Sep. 14 2004
 

RE: beginners composing tips? anybod... (in reply to Miguel de Maria

That's a great advice Miguel, considering guitar's roots in cante, and that's probably how solo flamenco guitar playing was born: imitating the cante while adding instrumental ornaments.
  REPORT THIS POST AS INAPPROPRIATE |  Date May 10 2005 8:32:47
Guest

RE: beginners composing tips? anybod... (in reply to abraham

Hola

Miguel´s advice is absolutely spot-on, especially for foreign aficionados who cannot really tell how flamenco their compositions are: there is nothing more likely to stop you in your tracks than a cantaor who turns around and says "Yes, those are the tones of alegrías and you have compás, but what you are playing is not alegrías".

The other night I was invited to a rehearsal of a group consisting of cantaor, tocaor, cajonista, palmera y violinista. They were working on a colombiana and the violin had the solo. The girl playing violin is Swiss, classically trained, and played a meaningless improvisation in rhythm.

Afterwards she asked my opinion and I told her. She said she knew nothing about colombianas and did not know what to play. I told her to play cante based falsetas, which are much easier on violin than on the guitar. Then I borrowed the guitar and played some of the falsetas from the Paco Peña/Sanlúcar colombianas, which is entirely cante based. She became very excited, insisted on recording the falsetas and went off to study them.

I suggested that she should learn them straight, then look for harmonies and musically related development and make periodic returns to the characteristic bass run of columbianas. A ver.

This is basically the advice of Miguel and is very important, unless you are compositionally gifted and flamenco too.

Suerte

Sean
  REPORT THIS POST AS INAPPROPRIATE |  Date May 10 2005 13:38:27
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: beginners composing tips? anybod... (in reply to Guest

It's pretty easy to go wrong if you don't base it on cante. I have a friend who plays in clubs, and loves flamenco dearly. One day I was listening to him... I could always tell, even while talking to friends, which were his compositions and which were the falsetas or songs of Spaniards. One day it dawned on me that his falsetas were not singable; that is, they were not something someone would naturally sing. I thought of saying to him: See if you can li-lo what you are playing, if not, don't play it!
  REPORT THIS POST AS INAPPROPRIATE |  Date May 10 2005 17:53:19
 
gerundino63

Posts: 1743
Joined: Jul. 11 2003
From: The Netherlands

RE: beginners composing tips? anybod... (in reply to Miguel de Maria

Your right about that Miguel!

It helps also to listen nothing but flamenco day in day out, so your mind is set to that.
It becomes your idiom

_____________________________

  REPORT THIS POST AS INAPPROPRIATE |  Date May 10 2005 19:41:38

Carlos Bedoya

Posts: 20
Joined: Feb. 15 2005
From: San Juan, Puerto Rico

RE: beginners composing tips? anybod... (in reply to gerundino63

¿Big player? Anyway, here is a common Solea falseta structure.

Compose a melody from beat 1 to 4 that resolves on beat 4,
then count or rest 2 beats,
then repeat the same notes in the sequence below.

(1) 1ene-2ene-3ene-4- (un dos) (this line is the first melody you composed)
(2) 1ene-2ene-3ene-4- (un dos)
(3) 1ene-2ene-3-
(4) 1ene-2ene-3-
(5) 1ene-2ene-3ene-4- (un dos)

The 2 count rest (un dos) usually has that familiar Solea falseta "ending" but for sake of this example you can just rest or count. You of course should be using appropriate scales. Later you can vary each of the parts without losing the above structure.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 27 2005 17:24:43
Page:   [1]
All Forums >>Discussions >>General >> Page: [1]
Jump to:

New Messages No New Messages
Hot Topic w/ New Messages Hot Topic w/o New Messages
Locked w/ New Messages Locked w/o New Messages
 Post New Thread
 Reply to Message
 Post New Poll
 Submit Vote
 Delete My Own Post
 Delete My Own Thread
 Rate Posts


Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET

0.0625 secs.