Tangos- remate

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Tangos- remate

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Neotriz

Posts: 143
Joined: Aug. 9 2010

Tangos- remate

Hi guys

I was wondering if anyone can show me a chord progression that would normally end in Tangos.

For instance, for Bulerias, I found F maj, C Maj , Bb and A to sound closure for it.

Thanks!

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 12:20:15

Andy Culpepper

Posts: 3023
Joined: Mar. 30 2009
From: NY, USA

RE: Tangos- remate (in reply to Neotriz)

F, C, Bb, A works.
or F, Gm, that Gm7 chord with G# on the bottom, A
Or chromatically descending chords like this

0..0..0..0
5..4..3..2
0..0..0..3
5..4..3..2
3..2..1..0
x..x..x..3

_____________________________

Andy Culpepper, luthier
http://www.andyculpepper.com

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 12:39:15

Chiste de Gales

Posts: 298
Joined: Jan. 13 2009

RE: Tangos- remate (in reply to Andy Culpepper)

quote:

ORIGINAL: deteresa1

F, C, Bb, A works.
or F, Gm, that Gm7 chord with G# on the bottom, A
Or chromatically descending chords like this

0..0..0..0
5..4..3..2
0..0..0..3
5..4..3..2
3..2..1..0
x..x..x..3

Thats a G natural on the bottom.
Id call that an A b9/G since this Tangos is in A, and it will end on the I chord rather than the VII chord.

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 14:43:37

XXX

Posts: 4400
Joined: Apr. 14 2005

RE: Tangos- remate (in reply to Neotriz)

you can just use A too. its more a rhythm thing.

_____________________________

Фламенко

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 14:50:21

Chiste de Gales

Posts: 298
Joined: Jan. 13 2009

RE: Tangos- remate (in reply to Neotriz)

but the A with a G in the bass sounds awesome!

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 15:05:34

XXX

Posts: 4400
Joined: Apr. 14 2005

RE: Tangos- remate (in reply to Chiste de Gales)

coz its a diminished chord. they always sound awesome.

_____________________________

Фламенко

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 15:07:32

mark indigo

Posts: 3625
Joined: Dec. 5 2007

RE: Tangos- remate (in reply to Andy Culpepper)

quote:

that Gm7 chord with G# on the bottom

is Bb7

weird inversion, spelling 7, 3, 5, 1, 3, (and 6 if you play the top string - it doesn't usually sound though),

and technically it's an Ab on the bottom

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 16:51:27

mark indigo

Posts: 3625
Joined: Dec. 5 2007

RE: Tangos- remate (in reply to XXX)

quote:

its a diminished chord

if it's G, A, E, Bb, C#, E I would call it A7b9 (spelling 7, 1, 5, b9, 3, 5), as it has all the notes for calling it this, and you are also using it as an A chord.

if it only had notes G, E, Bb, C# then I would call it a diminished chord.

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 16:55:03

Andy Culpepper

Posts: 3023
Joined: Mar. 30 2009
From: NY, USA

RE: Tangos- remate (in reply to Neotriz)

I know what it is but I didn't want to confuse him

I think of it as G# because it's a leading tone to A

Here's the chord in case he is still confused

3
3
3
3
5
4

_____________________________

Andy Culpepper, luthier
http://www.andyculpepper.com

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 2 2010 20:47:13

XXX

Posts: 4400
Joined: Apr. 14 2005

RE: Tangos- remate (in reply to mark indigo)

quote:

ORIGINAL: mark indigo
if it's G, A, E, Bb, C#, E I would call it A7b9 (spelling 7, 1, 5, b9, 3, 5), as it has all the notes for calling it this, and you are also using it as an A chord.

if it only had notes G, E, Bb, C# then I would call it a diminished chord.

Yeah, youre technically right i either would call it an A chord. However there is a diminished sound to it. Same thing when you have the G on the treble e, its also an A chord for me even when you dont play an A often in that chord just E-Bb-C#-G.

_____________________________

Фламенко

REPORT THIS POST AS INAPPROPRIATE | Date Dec. 3 2010 9:20:38