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Stephen Faulk’s (Estebanana) magic
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gj Michelob
Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco
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Stephen Faulk’s (Estebanana) magic
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My second German Vazquez Rubio blanca is blessed with a heavenly sound gliding over the intoxicatingly wonderful scent of cypress, a display of consummate craftsmanship by a great luthier. However, disappointment lurked contemptuously, spiting such beauty with the most venomous relation between strings and fingerboard. Regrettably, my faithful repairman had passed away and after a few futile attempts by another luthier to adjust the instrument to my liking, I had decided to forfeit hope. Then, reading an exchange between lutheirs on this forum, I realized that Estebanana –Stephen Faulk- is also in San Francisco. Propelled by an earnest instinct, I asked Tom Nunez to remove the guitar from his site and allow me another chance. My first meeting with Stephen turned into a festive foroflamenco reunion, as Jason McGuire honored me with his visit, as well. Today, I received the GVR form Stephen. A miracle. Or the rare product of a bright intellect, curious and investigative, combined with diligently expert hands performing surgically precise adjustments. Stephen –who plays flamenco quite well- observed my playing and interrogated me at length regarding my expectations and discontent. I had simply asked the most complex task…. to match the comfort of my Conde. Yet Stephen stunned my prayers and delivered impeccably. I played and thanked Stephen incessantly. My fingers too now “glide” as does the sound of my blanca, relentlessly un-fatigued by the equilibrium of measures and tensions which suddenly balanced. Stephen lowered the bridge, not just the saddle, and flattened the latter across, while gaining room to lower the strings at the nut, as well… and somewhere did something of magic nature. Thank you Stephen Faulk, fantastic work beyond hope. Now if I could only find an accountant who could work my return the way Stephen did my guitar….
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gj Michelob
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Date Jan. 24 2010 19:42:02
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gj Michelob
Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco
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RE: Stephen Faulk’s (Estebanana) magic (in reply to estebanana)
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quote:
Estebanana wote: Oh Gj tell them how I water boarded you to get you to tell me how you wanted the action set up.....:) …still yawning !! You do not understand, Stephen, I ended up taking the day off and playing this guitar the whole day long. I just could not put it down and my fingers would not get tired of testing everything I could play on this new, or resuscitated, guitar. I cannot believe you managed to adjust it exactly as I needed it, really. Now and inevitably, I am wondering why I do not have one of your guitars… and we may need to remedy that when you return to SF. quote:
Jason McGuire wrote: Glad it worked out for you GJ. Stephen also has an art exhibit running at the moment over here in the east bay..... he's a true Renaissance man. Aside from building, restoring and repairing he plays well too. Thank you Jason. I agree, Stephen plays really well and knows how to husband the resources of each instrument when playing them, which suggests quite a sensitive and trained ear. I think he's learned a trick or two from you -and thank you for that, as we need luthiers with such profound understanding of this seemingly simple wooden box with strings running across it.
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gj Michelob
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Date Jan. 25 2010 18:58:52
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gj Michelob
Posts: 1531
Joined: Nov. 7 2008
From: New York City/San Francisco
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RE: Stephen Faulk’s (Estebanana) magic (in reply to Joan Maher)
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quote:
Do you have any before and after pictures? _____________________________ Gracias! No, I don't Joan, I am not keen on documenting projects. Since posting on this thread, however, I have had any repair and adjustment performed by Peter Tsiorba [also a member here], a luthier in Portland, Oregon. A real gentleman, profoundly knowledgeable of flamenco guitars, whose skills are inversely proportional to his humble demeanor. He has worked both on my Conde and my Vazquez Rubio, and brought them to the level of playability I incline, without compromising -as these operations may sometimes do- the lovely tone of these instruments.
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gj Michelob
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Date Apr. 29 2014 14:53:12
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estebanana
Posts: 9372
Joined: Oct. 16 2009
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RE: Stephen Faulk’s (Estebanana) magic (in reply to Ruphus)
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quote:
Marketing, Stephen. You need to mingle with musicians over there. - After having repaired your back first in attentive accordance to the exercises I gave you, naturally. As unrelated as it can be to an actual state of a product, marketing is essential nonetheless. And in view of the Japanese faible for anything western, I think to predict how things could be going if the whisper was to be going round about that American Luthier in village X. I bet there would be little more easy in marketing terms than organising you a waiting list for at least 2 years of customers. What about that girl, can´t she push some first connex? What about some flyers in music stores of near by larger cities? Ruphus I hear you Ruphus, One thing I'm not keen on doing is exploiting myself as a Westerner....really odd choice of words as I live farther West now that I ever have. You have to go west to get east. Ha ha. There's even a word for white guys who do commercial work in Japan that take advantage of being "western" the word is 'Japandering'. All in good time, we'll see how it unfolds. One thing that I'll do in the next few months is get a guitar in the Spanish guitar shop in Osaka, and then I'll go to Tokyo a get as drunk as a dead fish with some guys who are flamencos there. I'll tell you what, nobody should worry about me cutting in on their guitar making marketing action or be jealous of what I'm doing. If a person wanted to make flamenco guitars for a living what I did moving to Japan was the stupidest, most backward, indirect, retarded thing a guy could to to promote himself and progress in this business. See Ruphus , I'm not very smart. Alert, yes, smart no.
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https://www.stephenfaulkguitars.com
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Date Apr. 30 2014 12:58:52
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